English Lands, Letters and Kings, vol. 4: The Later Georges to VictoriaMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Moore married at thirty-two--after he was known for the Irish melodies,
but before the publication of _Lalla Rookh_; and in his _Letters and
Diary_ (if you read them--though they make an enormous mass to read, and
frighten most people away by their bulk), you will come upon very
frequent, and very tender mention of “Dear Bessie”--the wife. It is true,
there were rumors that he wofully neglected her, but hardly well founded.
Doubtless there was many a day and many a week when she was guarding the
cottage and the children at Sloperton; and he bowing and pirouetting his
way amongst the trailing robes of their ladyships who loved music and
literature in London; but how should he refuse the invitations of his
Lordship this or that? Or how should she--who has no robes that will stand
alone--bring her pretty home gowns into that blazon of the salons? Always,
too (if his letters may be trusted), he is eager to make his escape
between whiles--wearied of this _tintamarre_--and to rush away to his
cottage at Sloperton[52] for a little slippered ease, and a romp with the
children. Poor children--they all drop away, one by one--two only reaching
maturity--then dying. The pathetic stories of the sickening, the danger
and the hush, come poignantly into his Diary, and it does seem that the
winning clatter of the world gets a hold upon his wrenched heart
over-quickly again. But what right have you or I to judge in such matters?
There are chirrupy little men--and women, too,--on whom grief does not
seem to take a hard grip; all the better for them! Moore, I think, was
such a one, and was braced up always and everywhere by his own healthy
pulses, and, perhaps, by a sense of his own sufficiency. His vanities are
not only elastic, but--by his own bland and child-like admissions--they
seem sometimes almost monumental. He writes in his _Diary_, “Shiel
(that’s an Irish friend) says I am the first poet of the day, and join the
beauty of the Bird-of-Paradise’s plumes to the strength of the eagle’s
wing.” Fancy a man copying that sort of thing into his own _Diary_, and
regaling himself with it!
Yet he is full of good feeling--does not cherish resentments--lets who
will pat him on the shoulder (though he prefers a lord’s pat). Then he
forgives injuries or slights grandly; was once so out with Jeffrey that a
duel nearly came of it; but afterward was his hail-fellow and good friend
for years. Sometimes he shows a magnanimous strain--far more than his
artificialities of make-up would seem to promise. Thus, being at issue
with the publisher, John Murray (a long-dated difference), he determines
on good advisement to be away with it; and so goes smack into the den of
the great publisher and gives him his hand: such action balances a great
deal of namby-pambyism.
Public-domain text, read in full here on John Shaqi.
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