English Lands, Letters and Kings, vol. 4: The Later Georges to VictoriaMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
“The dew of the morning
Sunk chill on my brow
It felt like the warning
Of what I feel now,
Thy vows are all broken
And light is thy fame;
I hear thy name spoken,
And share in its shame.
“They name thee before me,
A knell to mine ear;
A shudder comes o’er me--
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well;
Long, long shall I rue thee
Too deeply to tell.”
Naturally enough, our poet is beaming with the success of his satire,
which is widely read, and which has made him foes of the first rank; but
what cares he for this? He goes down with a company of fellow roisterers,
and makes the old walls of Newstead ring with the noisy celebration of his
twenty-first birthday; and on the trail of that country revel, and with
the sharp, ringing couplets of his “English Bards” crackling on the public
ear, he breaks away for his first joyous experience of Continental travel.
This takes him through Spain and to the Hellespont and among the isles of
Greece--seeing visions there and dreaming dreams, all which are braided
into that tissue of golden verse we know as the first two cantos of
_Childe Harold_.
On his return, and while as yet this poem of travel is on the eve of
publication, he prepares himself for a new _coup_ in Parliament--being not
without his oratorical ambitions. It was in February of 1812 that he made
his maiden speech in the House of Lords--carefully worded, calm, not
without quiet elegancies of diction--but not meeting such reception as his
extravagant expectation demanded; whatever he does, he wishes met with a
tempest of approval; a dignified welcome, to his fiery nature, seems cold.
But the publication of _Childe Harold_, only a short time later, brings
compensating torrents of praise. His satire had piqued attention without
altogether satisfying it; there was little academic merit in it--none of
the art which made _Absalom and Achitophel_ glow, or which gleamed upon
the sword-thrusts of the _Dunciad_; but its stabs were business-like; its
couplets terse, slashing, and full of truculent, scorching _vires iræ_.
This other verse, however, of _Childe Harold_--which took one upon the
dance of waves and under the swoop of towering canvass to the groves of
“Cintra’s glorious Eden,” and among those Spanish vales where Dark
Guadiana “rolls his power along;” and thence on, by proud Seville, and
fair Cadiz, to those shores of the Egean, where
“Still his honeyed wealth Hymettus yields,--”[64]
Public-domain text, read in full here on John Shaqi.
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