Criticism -- Great Britain; English literature -- History and criticism
For example, we are ravished with delight to see a fair woman, and yet
are far from being moved to laughter. We laugh at deformed creatures,
wherein certainly we cannot delight. We delight in good chances, we
laugh at mischances; we delight to hear the happiness of our friends,
or country; at which he were worthy to be laughed at, that would laugh;
we shall contrarily laugh sometimes, to find a matter quite mistaken,
and go down the hill against the bias, in the mouth of some such men,
as for the respect of them one shall be heartily sorry, yet he cannot
choose but laugh; and so is rather pained, than delighted, with
laughter. Yet deny I not, but that they may go well together; for as
in Alexander's picture well set out we delight without laughter, and
in twenty mad antics we laugh without delight: so in Hercules, painted
with his great beard, and furious countenance, in woman's attire,
spinning at Omphale's commandment, it breedeth both delight and
laughter. For the representing of so strange a power in love, procureth
delight: and the scornfulness of the action stirreth laughter. But I
speak to this purpose, that all the end of the comical part be not
upon such scornful matters as stir laughter only: but mixed with it,
that delightful teaching which is the end of poesy. And the great fault
even in that point of laughter, and forbidden plainly by Aristotle,
is that they stir laughter in sinful things; which are rather execrable
than ridiculous: or in miserable, which are rather to be pitied than
scorned. For what is it to make folks gape at a wretched beggar, or
a beggarly clown? or, against law of hospitality, to jest at strangers,
because they speak not English so well as we do? what do we learn,
sith it is certain
_Nil habet infelix paupertas durius in se,
Quam quod ridiculos homines facit:_
Public-domain text, read in full here on John Shaqi.
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