Criticism -- Great Britain; English literature -- History and criticism
From translating the first of Homer's _Iliads_ (which I intended as
an essay to the whole work) I proceeded to the translation of the
twelfth book of Ovid's _Metamorphoses_, because it contains, among
other things, the causes, the beginning, and ending, of the Trojan
war. Here I ought in reason to have stopped; but the speeches of Ajax
and Ulysses lying next in my way, I could not baulk them. When I had
compassed them, I was so taken with the former part of the fifteenth
book (which is the masterpiece of the whole _Metamorphoses_), that I
enjoined myself the pleasing task of rendering it into English. And
now I found, by the number of my verses, that they began to swell into
a little volume; which gave me an occasion of looking backward on some
beauties of my author, in his former books: there occurred to me the
_Hunting of the Boar_, _Cinyras and Myrrha_, the good-natured story
of _Baucis and Philemon_, with the rest, which I hope I have translated
closely enough, and given them the same turn of verse which they had
in the original; and this, I may say without vanity, is not the talent
of every poet. He who has arrived the nearest to it, is the ingenious
and learned Sandys, the best versifier of the former age, if I may
properly call it by that name, which was the former part of this
concluding century. For Spenser and Fairfax both flourished in the
reign of Queen Elizabeth; great masters in our language, and who saw
much farther into the beauties of our numbers than those who immediately
followed them. Milton was the poetical son of Spenser, and Mr. Waller
of Fairfax, for we have our lineal descents and clans as well as other
families. Spenser more than once insinuates that the soul of Chaucer
was transfused into his body, and that he was begotten by him two
hundred years after his decease. Milton has acknowledged to me that
Spenser was his original, and many besides myself have heard our famous
Waller [Footnote: "He first made writing easily an art"--was Dryden's
verdict on Waller.--_English Garner_, iii. 492.] own that he derived
the harmony of his numbers from the _Godfrey of Bulloigne_, which was
turned into English by Mr. Fairfax.
Public-domain text, read in full here on John Shaqi.
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