Criticism -- Great Britain; English literature -- History and criticism
and that nothing is brought to perfection at the first. We must be
children before we grow men. There was an Ennius, and in process of
time a Lucilius and a Lucretius, before Virgil and Horace; even after
Chaucer there was a Spenser, a Harrington, a Fairfax, before Waller
and Denham were in being; and our numbers were in their nonage till
these last appeared. I need say little of his parentage, life, and
fortunes: they are to be found at large in all the editions of his
works. He was employed abroad, and favoured by Edward the Third, Richard
the Second, and Henry the Fourth, and was poet, as I suppose, to all
three of them. In Richard's time, I doubt, he was a little dipt in the
rebellion of the commons, [Footnote: There is no evidence for this
'doubt', though in his Balade, _Lak of Stedfastnesse_, Chaucer speaks
plainly both to Richard and his subjects.] and being brother-in-law
to John of Gaunt, it was no wonder if he followed the fortunes of that
family, and was well with Henry the Fourth when he had deposed his
predecessor. Neither is it to be admired that Henry, who was a wise
as well as a valiant prince, who claimed by succession, and was sensible
that his title was not sound, but was rightfully in Mortimer, who had
married the heir of York; it was not to be admired, I say, if that
great politician should be pleased to have the greatest wit of those
times in his interests, and to be the trumpet of his praises. Augustus
had given him the example, by the advice of Maecenas, who recommended
Virgil and Horace to him, whose praises helped to make him popular
while he was alive, and after his death have made him precious to
posterity. As for the religion of our poet, he seems to have some
little bias towards the opinions of Wickliff, after John of Gaunt his
patron; somewhat of which appears in the tale of Piers Plowman:
[Footnote: The Plowman's Tale, which was printed as one of the
Canterbury Tales in Speght's editions. It is now rejected by all
authorities.] yet I cannot blame him for inveighing so sharply against
the vices of the clergy in his age; their pride, their ambition, their
pomp, their avarice, their worldly interest deserved the lashes which
he gave them, both in that and in most of his Canterbury tales: neither
has his contemporary Boccace spared them. Yet both these poets lived
in much esteem with good and holy men in orders; for the scandal which
is given by particular priests, reflects not on the sacred function.
Chaucer's Monk, his Canon, and his Friar took not from the character
of his Good Parson. A satirical poet is the check of the laymen on bad
priests. We are only to take care that we involve not the innocent
with the guilty in the same condemnation. The good cannot be too much
honoured, nor the bad too coarsely used; for the corruption of the
best becomes the worst. When a clergyman is whipped his gown is first
taken off, by which the dignity of his order is secured; if he be
Public-domain text, read in full here on John Shaqi.
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