Criticism -- Great Britain; English literature -- History and criticism
their natures better than by the marks which the poet gives them. The
matter and manner of their tales, and of their telling, are so suited
to their different educations, humours, and callings that each of them
would be improper in any other mouth. Even the grave and serious
characters are distinguished by their several sorts of gravity: their
discourses are such as belong to their age, their calling, and their
breeding; such as are becoming of them, and of them only. Some of his
persons are vicious, and some virtuous; some are unlearned, or (as
Chaucer calls them) lewd, and some are learned. Even the ribaldry of
the low characters is different: the Reeve, the Miller, and the Cook
are several men, and distinguished from each other, as much as the
mincing lady prioress, and the broad-speaking gap-toothed wife of Bath.
But enough of this: there is such a variety of game springing up before
me, that I am distracted in my choice, and know not which to follow.
'Tis sufficient to say, according to the proverb, that here is God's
plenty. We have our forefathers and great-grand-dames all before us,
as they were in Chaucer's days; their general characters are still
remaining in mankind, and even in England, though they are called by
other names than those of Monks and Friars and Canons, and Lady Abbesses
and Nuns; for mankind is ever the same, and nothing lost out of nature,
though everything is altered.
May I have leave to do myself the justice (since my enemies will do
me none, and are so far from granting me to be a good poet that they
will not allow me so much as to be a Christian, or a moral man), may
I have leave, I say, to inform my reader that I have confined my choice
to such tales of Chaucer as savour nothing of immodesty? If I had
desired more to please than to instruct, the Reeve, the Miller, the
Shipman, the Merchant, the Summoner, and, above all, the Wife of Bath,
in the prologue to her tale, would have procured me as many friends
and readers as there are beaux and ladies of pleasure in the town. But
I will no more offend against good manners; I am sensible, as I ought
to be, of the scandal I have given by my loose writings, and make what
reparation I am able by this public acknowledgment. If anything of
this nature, or of profaneness, be crept into these poems, I am so far
from defending it that I disown it. _Totum hoc indictum volo_. Chaucer
makes another manner of apology for his broad speaking, and Boccace
makes the like; but I will follow neither of them. Our countryman, in
the end of his characters, before the Canterbury tales, thus excuses
the ribaldry, which is very gross in many of his novels.
Public-domain text, read in full here on John Shaqi.
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