Criticism -- Great Britain; English literature -- History and criticism
had, or can have, a greater veneration for Chaucer, than myself. I
have translated some part of his works, only that I might perpetuate
his memory, or at least refresh it, amongst my countrymen. If I have
altered him anywhere for the better, I must at the same time acknowledge
that I could have done nothing without him: _Facile est inventis
addere_, is no great commendation; and I am not so vain to think I
have deserved a greater. I will conclude what I have to say of him
singly, with this one remark: a lady of my acquaintance, who keeps a
kind of correspondence with some authors of the fair sex in France,
has been informed by them that Mademoiselle de Scudery, who is as old
as Sibyl, and inspired like her by the same god of poetry, is at this
time translating Chaucer into modern French. From which I gather that
he has been formerly translated into the old Provencal (for how she
should come to understand old English I know not). But the matter of
fact being true, it makes me think that there is something in it like
fatality; that, after certain periods of time, the fame and memory of
great wits should be renewed, as Chaucer is both in France and England.
If this be wholly chance, 'tis extraordinary, and I dare not call it
more for fear of being taxed with superstition.
Boccace comes last to be considered, who, living in the same age with
Chaucer, had the same genius, and followed the same studies; both writ
novels, and each of them cultivated his mother tongue. But the greatest
resemblance of our two modern authors being in their familiar style,
and pleasing way of relating comical adventures, I may pass it over,
because I have translated nothing from Boccace of that nature. In the
serious part of poetry, the advantage is wholly on Chaucer's side; for
though the Englishman has borrowed many tales from the Italian, yet
it appears that those of Boccace were not generally of his own making,
but taken from authors of former ages, and by him only modelled; so
that what there was of invention in either of them may be judged equal.
But Chaucer has refined on Boccace, and has mended the stories which
he has borrowed in his way of telling, though prose allows more liberty
of thought, and the expression is more easy when unconfined by numbers.
Our countryman carries weight, and yet wins the race at disadvantage.
I desire not the reader should take my word, and therefore I will set
two of their discourses on the same subject, in the same light, for
every man to judge betwixt them. I translated Chaucer first, and amongst
the rest pitched on the Wife of Bath's tale--not daring, as I have
said, to adventure on her prologue, because it is too licentious. There
Chaucer introduces an old woman of mean parentage, whom a youthful
knight of noble blood was forced to marry, and consequently loathed
her. The crone being in bed with him on the wedding-night, and finding
his aversion, endeavours to win his affection by reason, and speaks
Public-domain text, read in full here on John Shaqi.
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