Criticism -- Great Britain; English literature -- History and criticism
The brief account here given of the work of Goethe was originally
published as part of the introduction to the volume of translations
called _German Romance_, which was published in 1827. It is now commonly
printed as an appendix to the first volume of Carlyle's _Miscellanies_.
Carlyle was probably never at his best when he gave himself to the
study of a particular author. His genius rather lay in the more general
aspects of his work, and in the force with which he gave an entirely
new turn to the currents of English criticism. Of his studies upon
particular authors, the essay on Burns is perhaps the most complete
and the most penetrating. But it is too long for the purposes of this
selection. Nor is it amiss that he should here be represented by a
work which may remind us that, among his services to English letters,
to have opened the stores of German poetry and thought was by no means
the least memorable.
Of a nature so rare and complex as Goethe's it is difficult to form
a true comprehension; difficult even to express what comprehension one
has formed. In Goethe's mind, the first aspect that strikes us is its
calmness, then its beauty; a deeper inspection reveals to us its
vastness and unmeasured strength. This man rules, and is not ruled.
The stern and fiery energies of a most passionate soul lie silent in
the centre of his being; a trembling sensibility has been inured to
stand, without flinching or murmur, the sharpest trials. Nothing
outward, nothing inward, shall agitate or control him. The brightest
and most capricious fancy, the most piercing and inquisitive intellect,
the wildest and deepest imagination; the highest thrills of joy, the
bitterest pangs of sorrow: all these are his, he is not theirs. While
he moves every heart from its steadfastness, his own is firm and still:
the words that search into the inmost recesses of our nature, he
pronounces with a tone of coldness and equanimity; in the deepest
pathos he weeps not, or his tears are like water trickling from a rock
of adamant. He is king of himself and of his world; nor does he rule
it like a vulgar great man, like a Napoleon or Charles Twelfth, by the
mere brute exertion of his will, grounded on no principle, or on a
false one: his faculties and feelings are not fettered or prostrated
under the iron sway of Passion, but led and guided in kindly union
under the mild sway of Reason; as the fierce primeval elements of
Nature were stilled at the coming of Light, and bound together, under
its soft vesture, into a glorious and beneficent Creation.
Public-domain text, read in full here on John Shaqi.
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