Criticism -- Great Britain; English literature -- History and criticism
But Goethe's culture as a writer is perhaps less remarkable than his
culture as a man. He has learned not in head only, but also in heart:
not from Art and Literature, but also by action and passion, in the
rugged school of Experience. If asked what was the grand characteristic
of his writings, we should not say knowledge, but wisdom. A mind that
has seen, and suffered, and done, speaks to us of what it has tried
and conquered. A gay delineation will give us notice of dark and
toilsome experiences, of business done in the great deep of the spirit;
a maxim, trivial to the careless eye, will rise with light and solution
over long perplexed periods of our own history. It is thus that heart
speaks to heart, that the life of one man becomes a possession to all.
Here is a mind of the most subtle and tumultuous elements; but it is
governed in peaceful diligence, and its impetuous and ethereal faculties
work softly together for good and noble ends. Goethe may be called a
Philosopher; for he loves and has practised as a man the wisdom which,
as a poet, he inculcates. Composure and cheerful seriousness seem to
breathe over all his character. There is no whining over human woes:
it is understood that we must simply all strive to alleviate or remove
them. There is no noisy battling for opinions; but a persevering effort
to make Truth lovely, and recommend her, by a thousand avenues, to the
hearts of all men. Of his personal manners we can easily believe the
universal report, as often given in the way of censure as of praise,
that he is a man of consummate breeding and the stateliest presence:
for an air of polished tolerance, of courtly, we might almost say
majestic repose, and serene humanity, is visible throughout his works.
In no line of them does he speak with asperity of any man; scarcely
ever even of a thing. He knows the good, and loves it; he knows the
bad and hateful, and rejects it; but in neither case with violence:
his love is calm and active; his rejection is implied, rather than
pronounced; meek and gentle, though we see that it is thorough, and
never to be revoked. The noblest and the basest he not only seems to
comprehend, but to personate and body forth in their most secret
lineaments: hence actions and opinions appear to him as they are, with
all the circumstances which extenuate or endear them to the hearts
where they originated and are entertained. This also is the spirit of
our Shakespeare, and perhaps of every great dramatic poet. Shakespeare
is no sectarian; to all he deals with equity and mercy; because he
knows all, and his heart is wide enough for all. In his mind the world
is a whole; he figures it as Providence governs it; and to him it is
not strange that the sun should be caused to shine on the evil and the
good, and the rain to fall on the just and the unjust.
Public-domain text, read in full here on John Shaqi.
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