Criticism -- Great Britain; English literature -- History and criticism
_Omne vafer vitium ridenti tangit amico?_
Who sportingly never leaveth, until he make a man laugh at folly, and
at length ashamed, to laugh at himself: which he cannot avoid, without
avoiding the folly. Who while
_Circum pracordia ludit_,
giveth us to feel, how many headaches a passionate life bringeth us
to. How when all is done,
_Est Ulubris, animus si nos non deficit aquus_ [Footnote: _i.e._ The
wise can find happiness even in a village.]_?_
No perchance it is the comic, whom naughty play-makers and stage-
keepers have justly made odious. To the argument of abuse [Footnote:
To the argument that, because comedy is liable to abuse, it should
therefore be prohibited altogether.], I will answer after. Only thus
much now is to be said, that the comedy is an imitation of the common
errors of our life, which he representeth in the most ridiculous and
scornful sort that may be. So as it is impossible that any beholder
can be content to be such a one.
Now, as in geometry, the oblique must be known as well as the right:
and in arithmetic, the odd as well as the even, so in the actions of
our life, who seeth not the filthiness of evil, wanteth a great foil
to perceive the beauty of virtue. This doth the comedy handle so in
our private and domestical matters, as with hearing it we get as it
were an experience, what is to be looked for of a niggardly Demea: of
a crafty Davus: of a flattering Gnatho: of a vainglorious Thraso
[Footnote: All characters in the Plays of Terence.]: and not only to
know what effects are to be expected, but to know who be such, by the
signifying badge given them by the comedian. And little reason hath
any man to say that men learn evil by seeing it so set out: sith, as
I said before, there is no man living but, by the force truth hath in
nature, no sooner seeth these men play their parts, but wisheth them
in Pistrinum [Footnote: the tread-mill.]: although perchance the sack
of his own faults lie so behind his back, that he seeth not himself
dance the same measure: whereto yet nothing can more open his eyes,
than to find his own actions contemptibly set forth. So that the right
use of comedy will (I think) by nobody be blamed, and much less of the
high and excellent tragedy, that openeth the greatest wounds, and
showeth forth the vicers [Footnote: sinners.], that are covered with
tissue: that maketh kings fear to be tyrants, and tyrants manifest
their tyrannical humours: that, with stirring the effects of admiration
and commiseration, teacheth the uncertainty of this world, and upon
how weak foundations golden roofs are builded. That maketh us know,
_Qui sceptra scevus duro imperio regit,
Timet timentes, metus in auctorem redit._
Public-domain text, read in full here on John Shaqi.
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