Criticism -- Great Britain; English literature -- History and criticism
But how much it can move, Plutarch yieldeth a notable testimony, of
the abominable tyrant, Alexander Pheraus; from whose eyes, a tragedy
well made and represented drew abundance of tears: who, without all
pity, had murdered infinite numbers, and some of his own blood. So as
he, that was not ashamed to make matters for tragedies, yet could not
resist the sweet violence of a tragedy.
And if it wrought no further good in him, it was, that he in despite
of himself withdrew himself from hearkening to that, which might mollify
his hardened heart. But it is not the tragedy they do mislike: for it
were too absurd to cast out so excellent a representation of whatsoever
is most worthy to be learned. Is it the lyric that most displeaseth,
who with his tuned lyre, and well accorded voice, giveth praise, the
reward of virtue, to virtuous acts? who gives moral precepts and natural
problems, who sometimes raiseth up his voice to the height of the
heavens, in singing the lauds of the immortal God. Certainly I must
confess my own barbarousness, I never heard the old song of Percy and
Douglas, that I found not my heart moved more than with a trumpet: and
yet is it sung but by some blind crouder [Footnote: fiddler.], with
no rougher voice than rude style: which being so evil apparelled in
the dust and cobwebs of that uncivil age, what would it work trimmed
in the gorgeous eloquence of Pindar? In Hungary I have seen it the
manner at all feasts and other such meetings, to have songs of their
ancestors' valour; which that right soldier-like nation think the
chiefest kindlers of brave courage. The incomparable Lacedemonians did
not only carry that kind of music ever with them to the field, but
even at home, as such songs were made, so were they all content to be
the singers of them, when the lusty men were to tell what they did,
the old men what they had done, and the young men what they would do.
And where a man may say that Pindar many times praiseth highly victories
of small moment, matters rather of sport than virtue: as it may be
answered, it was the fault of the poet, and not of the poetry; so
indeed, the chief fault was in the time and custom of the Greeks, who
set those toys at so high a price, that Philip of Macedon reckoned a
horse-race won at Olympus, among his three fearful felicities. But as
the inimitable Pindar often did, so is that kind most capable and most
fit to awake the thoughts from the sleep of idleness, to embrace
honourable enterprises.
Public-domain text, read in full here on John Shaqi.
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