Criticism -- Great Britain; English literature -- History and criticism
Now, that verse far exceedeth prose in the knitting up of the memory,
the reason is manifest. The words (besides their delight, which hath
a great affinity to memory), being so set, as one word cannot be lost,
but the whole work fails: which accuseth itself, calleth the remembrance
back to itself, and so most strongly confirmeth it. Besides, one word
so as it were begetting another, as be it in rhyme or measured verse,
by the former a man shall have a near guess to the follower. Lastly,
even they that have taught the art of memory have showed nothing so
apt for it, as a certain room divided into many places well and
thoroughly known. Now, that hath the verse in effect perfectly: every
word having his natural seat, which seat must needs make the words
remembered. But what needeth more in a thing so known to all men? Who
is it that ever was a scholar, that doth not carry away some verses
of Virgil, Horace, or Cato [Footnote: The moralist. His elegiacs are
constantly quoted by medieval writers, _e.g._ in _Piers Plowman_.],
which in his youth he learned, and even to his old age serve him for
hourly lessons? But the fitness it hath for memory is notably proved
by all delivery of arts: wherein for the most part, from grammar to
logic, mathematic, physic, and the rest, the rules chiefly necessary
to be borne away are compiled in verses. So that, verse being in itself
sweet and orderly, and being best for memory, the only handle of
knowledge, it must be in jest that any man can speak against it. Now
then go we to the most important imputations laid to the poor poets;
for aught I can yet learn, they are these: first, that there being
many other more fruitful knowledges, a man might better spend his time
in them, than in this. Secondly, that it is the mother of lies. Thirdly,
that it is the nurse of abuse, infecting us with many pestilent desires:
with a siren's sweetness, drawing the mind to the serpent's tail of
sinful fancy. And herein especially, comedies give the largest field
to err, as Chaucer saith: how both in other nations and in ours, before
poets did soften us, we were full of courage, given to martial
exercises; the pillars of man-like liberty, and not lulled asleep in
shady idleness with poets' pastimes. And lastly, and chiefly, they cry
out with an open mouth, as if they outshot Robin Hood, that Plato
banished them out of his commonwealth. Truly, this is much, if there
be much truth in it. First to the first: that a man might better spend
his time, is a reason indeed: but it doth (as they say) but _petere
principium_. For if it be as I affirm, that no learning is so good as
that which teacheth and moveth to virtue; and that none can both teach
and move thereto so much as poetry: then is the conclusion manifest,
that ink and paper cannot be to a more profitable purpose employed.
And certainly, though a man should grant their first assumption, it
should follow (methinks) very unwillingly, that good is not good,
because better is better.
Public-domain text, read in full here on John Shaqi.
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