Criticism -- Great Britain; English literature -- History and criticism
But I still and utterly deny that there is
sprung out of earth a more fruitful knowledge. To the second, therefore,
that they should be the principal liars; I answer paradoxically, but
truly I think, truly; that of all writers under the sun, the poet is
the least liar: and though he would, as a poet can scarcely be a liar,
the astronomer, with his cousin the geometrician, can hardly escape,
when they take upon them to measure the height of the stars.
How often, think you, do the physicians lie, when they aver things
good for sicknesses, which afterwards send Charon a great number of
souls drowned in a potion before they come to his ferry? And no less
of the rest, which take upon them to affirm. Now, for the poet, he
nothing affirms, and therefore never lieth. For, as I take it, to lie
is to affirm that to be true which is false. So as the other artists,
and especially the historian, affirming many things, can in the cloudy
knowledge of mankind hardly escape from many lies. But the poet (as
I said before) never affirmeth. The poet never maketh any circles about
your imagination, to conjure you to believe for true what he writes.
He citeth not authorities of other histories, but even for his entry
calleth the sweet Muses to inspire into him a good invention: in truth,
not labouring to tell you what is or is not, but what should or should
not be: and therefore, though he recount things not true, yet because
he telleth them not for true, he lieth not, without we will say that
Nathan lied in his speech, before alleged, to David. Which as a wicked
man durst scarce say, so think I, none so simple would say, that Asop
lied in the tales of his beasts: for who thinks that Asop wrote it for
actually true, were well worthy to have his name chronicled among the
beasts he writeth of.
What child is there, that coming to a play, and seeing Thebes written
in great letters upon an old door, doth believe that it is Thebes? If
then a man can arrive, at that child's age, to know that the poet's
persons and doings are but pictures what should be, and not stories
what have been, they will never give the lie to things not
affirmatively, but allegorically and figuratively, written. And
therefore as in history, looking for truth, they go away full fraught
with falsehood: so in poesy, looking for fiction, they shall use the
narration but as an imaginative groundplot of a profitable invention.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account