English Literature, Considered as an Interpreter of English History: Designed as a Manual of InstructionCoppée, Henry
History
English Literature, Considered as an Interpreter of English History: Designed as a Manual of Instruction
Coppée, Henry
English literature -- History and criticism
If Vanbrugh was not born in France, it is certain that he spent many years
there, and there acquired the taste and handling of the comic drama, which
then had its halcyon days under Molière. His dialogue is very spirited,
and his humor is greater than that of Congreve, who, however, excelled him
in wit.
The principal architectural efforts of Vanbrugh were the design for Castle
Howard, and the palace of Blenheim, built for Marlborough by the English
nation, both of which are greater titles to enduring reputation than any
of his plays.
FARQUHAR.--George Farquhar was born in Londonderry, in 1678, and began his
studies at Trinity College, Dublin, but was soon stage-struck, and became
an actor. Not long after, he was commissioned in the army, and began to
write plays in the style and moral tone of the age. Among his nine
comedies, those which present that tone best are his _Love in a Bottle_,
_The Constant Couple_, _The Recruiting Officer_, and _The Beaux'
Stratagem_. All his productions were hastily written, but met with great
success from their gayety and clever plots, especially the last two
mentioned, which are not, besides, so immoral as the others, and which are
yet acted upon the British stage.
ETHEREGE.--Sir George Etherege, a coxcomb and a diplomatist, was born in
1636, and died in 1694. His plays are, equally with the others mentioned,
marked by the licentiousness of the age, which is rendered more insidious
by their elegance. Among them are _The Comical Revenge, or Love in a
Tub_, and _The Man of Mode, or Sir Fopling Flutter_.
TRAGEDY.
The domain of tragedy, although perhaps not so attractive to the English
people as comedy, was still sufficiently so to invite the attention of the
literati. The excitement which is produced by exaggerated scenes of
distress and death has always had a charm for the multitude; and although
the principal tragedies of this period are based upon heroic stories, many
of them of classic origin, the genius of the writer displayed itself in
applying these to his own times, and in introducing that "touch of nature"
which "makes the whole world kin." Human sympathy is based upon a
community of suffering, and the sorrows of one age are similar to those of
another. Besides, tragedy served, in the period of which we are speaking,
to give variety and contrast to what would otherwise have been the gay
monotony of the comic muse.
OTWAY.--The first writer to be mentioned in this field, is Thomas Otway
(born in 1651, died in 1685). He led an irregular and wretched life, and
died, it is said, from being choked by a roll of bread which, after great
want, he was eating too ravenously.
Public-domain text, read in full here on John Shaqi.
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