English Literature, Considered as an Interpreter of English History: Designed as a Manual of InstructionCoppée, Henry
History
English Literature, Considered as an Interpreter of English History: Designed as a Manual of Instruction
Coppée, Henry
English literature -- History and criticism
These historical facts had a direct influence upon English society: the
country was divided into factions; and political conflicts sharpened the
wits and gave vigor to the conduct of men in all ranks. Pope was an
interpreter of his age, in politics, in general culture, and in social
manners and morals. Thus he was a politician among the statesmen
Bolingbroke, Buckingham, Oxford, Sunderland, Halifax, Harley, and
Marlborough. His _Essay on Criticism_ presents to us the artificial taste
and technical rules which were established as a standard in literature.
His _Essay on Man_, his _Moral Epistles_, and his _Universal Prayer_ are
an index to the semi-Christian, semi-Grecian ethics of an age too selfish
to be orthodox, and too progressive to be intolerant. His _Rape of the
Lock_ is a striking picture of social life, sketched by the hand of a
gentle satire. His translations of Homer, and their great success, are
significant of a more extended taste for scholarship; not attended,
however, with many incentives to originality of production. The nobles
were still the patrons of literature, and they fancied old things which
were grand, in new and gaudy English dresses. The age was also marked by
rapid and uniform progress in the English language. The sonorous, but
cumbrous English of Milton had been greatly improved by Dryden; and we
have seen, also, that the terse and somewhat crude diction of Dryden's
earlier works had been polished and rendered more harmonious in his later
poems.
This harmony of language seemed to Pope and to his patrons the chief aim
of the poet, and to make it still more tuneful and melodious was the
purpose of his life.
BIRTH AND EARLY LIFE.--Pope was the son of a respectable linen-draper, who
had achieved a competency and retired to enjoy it. The mother of the poet
must have been a good one, to have retained the ardent and eulogistic
affection of her son to the close of her life, as she did. This attachment
is a marked feature in his biography, and at last finds vent in her
epitaph, in which he calls her "_mater optima, mulierum amantissima_."
Pope was a sickly, dwarfed, precocious child. His early studies in Latin
and Greek were conducted by priests of the Roman Catholic Church, to which
his parents belonged; but he soon took his education into his own hands.
Alone and unaided he pursued his classical studies, and made good progress
in French and German.
Of his early rhyming powers he says:
"I lisped in numbers, for the numbers came."
At the age of twelve, he was taken to Will's Coffee-house, to see the
great Dryden, upon whom, as a model, he had already determined to fashion
himself.
His first efforts were translations. He made English versions of the first
book of the _Thebais_ of Statius; several of the stories of Chaucer, and
one of Ovid's Epistles, all of which were produced before he was fifteen.
Public-domain text, read in full here on John Shaqi.
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