English Literature, Considered as an Interpreter of English History: Designed as a Manual of InstructionCoppée, Henry
History
English Literature, Considered as an Interpreter of English History: Designed as a Manual of Instruction
Coppée, Henry
English literature -- History and criticism
and vividly painted, and the keen sense of ridicule pervading the book
makes it a broad jest from beginning to end. Historically, his
delineations are valuable; for he describes a period in the annals of the
British marine which has happily passed away,--a hard life in little
stifling holds or forecastles, with hard fare,--a base life, for the
sailor, oppressed on shipboard, was the prey of vile women and land-sharks
when on shore. What pictures of prostitution and indecency! what obscenity
of language! what drunken infernal orgies! We may shun the book as we
would shun the company, and yet the one is the exact portraiture of the
other.
Roderick Random was followed, in 1751, by _Peregrine Pickle_, a book in
similar taste, but the characters in which are even more striking. The
forms of Commodore Trunnion, Lieutenant Hatchway, Pipes the boatswain, and
Ap Morgan the choleric Welsh surgeon, are as familiar to us now as at the
first.
Smollett had now retired to Chelsea, where his facile pen was still hard
at work. In 1753 appeared his _Ferdinand Count Fathom_, the portraiture of
a complete villain, corresponding in character with Fielding's _Jonathan
Wild_, but with a better moral.
About this time he translated _Don Quixote_; and although his version is
still published, it is by no means true to the idiom of the language, nor
to the higher purpose of Cervantes.
Passing by his _Complete History of Authentic and Entertaining Voyages_,
we come to his _History of England from the Descent of Julius Cæsar to the
Treaty of Aix-la-Chapelle, in 1748_. It is not a profound work; but it is
so currently written, that, in lieu of better, the latter portion was
taken to supplement Hume; as a work of less merit than either, that of
Bissett was added in the later editions to supplement Smollett and Hume.
For this history he is said to have received £2000.
In 1762 he issued _The Adventures of Sir Launcelot Greaves_, who, with his
attendant, _Captain Crowe_, goes forth, in the style of Don Quixote and
Sancho, to _do_ the world. Smollett's forte was in the broadly humorous,
and this is all that redeems this work from utter absurdity.
HUMPHREY CLINKER.--His last work of any importance, and perhaps his best,
is _The Expedition of Humphrey Clinker_, described in a series of letters
descriptive of this amusing imaginative journey. Mrs. Winifred, Tabitha,
and, best of all, Lismahago, are rare characters, and in all respects,
except its vulgarity, it was the prototype of Hood's exquisite _Up the
Rhine_.
From the year 1756, Smollett edited, at intervals, various periodicals,
and wrote what he thought very good poetry, now forgotten,--an _Ode to
Independence_, after the Greek manner of strophe and antistrophe, not
wanting in a noble spirit; and _The Tears of Scotland_, written on the
occasion of the Duke of Cumberland's barbarities, in 1746, after the
battle of Culloden:
Public-domain text, read in full here on John Shaqi.
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