English Literature, Considered as an Interpreter of English History: Designed as a Manual of InstructionCoppée, Henry
History
English Literature, Considered as an Interpreter of English History: Designed as a Manual of Instruction
Coppée, Henry
English literature -- History and criticism
Thus closed one distinct period of his
life and of his authorship. A change came over the spirit of his dream.
UNHAPPY MARRIAGE.--In 1815, urged by his friends, and thinking it due to
his position, he married Miss Milbanke; but the union was without
affection on either side, and both were unhappy. One child, a daughter,
was born to them; and a year had hardly passed when they were separated,
by mutual consent and for reasons never truly divulged; and which, in
spite of modern investigations, must remain mysterious. He was licentious,
extravagant, of a violent temper: his wife was of severe morals, cold, and
unsympathetic. We need not advance farther into the horrors recently
suggested to the world. The blame has rested on Byron; and, at the time,
the popular feeling was so strong, that it may be said to have driven him
from England. It awoke in him a dark misanthropy which returned English
scorn with an unnatural hatred. He sojourned at various places on the
continent. At Geneva he wrote a third canto of _Childe Harold_, and the
touching story of Bonnivard, entitled _The Prisoner of Chillon_, and other
short poems.
In 1817 he was at Venice, where he formed a connection with the Countess
Guiccioli, to the disgrace of both. In Venice he wrote a fourth canto of
_Childe Harold_, the story of _Mazeppa_, the first two cantos of _Don
Juan_, and two dramas, _Marino Faliero_ and _The Two Foscari_.
For two years he lived at Ravenna, where he wrote some of his other
dramas, and several cantos of _Don Juan_. In 1821 he removed to Pisa;
thence, after a short stay, to Genoa, still writing dramas and working at
_Don Juan_.
PHILHELLENISM: HIS DEATH.--The end of his misanthropy and his debaucheries
was near; but his story was to have a ray of sunset glory--his death was
to be connected with a noble effort and an exhibition of philanthropic
spirit which seem in some degree to palliate his faults. Unlike some
writers who find in his conduct only a selfish whim, we think that it
casts a beautiful radiance upon the early evening of a stormy life. The
Greeks were struggling for independence from Turkish tyranny: Byron threw
himself heart and soul into the movement, received a commission from the
Greek government, recruited a band of Suliotes, and set forth gallantly to
do or die in the cause of Grecian freedom: he died, but not in battle. He
caught a fever of a virulent type, from his exposure, and after very few
days expired, on the 19th of April, 1824, amid the mourning of the nation.
Of this event, Macaulay--no mean or uncertain critic--could say, in his
epigrammatical style: "Two men have died within our recollection, who, at
a time of life at which few people have completed their education, had
raised themselves, each in his own department, to the height of glory. One
of them died at Longwood; the other at Missolonghi."
Public-domain text, read in full here on John Shaqi.
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