English Literature, Considered as an Interpreter of English History: Designed as a Manual of InstructionCoppée, Henry
History
English Literature, Considered as an Interpreter of English History: Designed as a Manual of Instruction
Coppée, Henry
English literature -- History and criticism
LALLA ROOKH.--The most acceptable offering to fame, and the most
successful pecuniary venture, was his _Lalla Rookh_. The East was becoming
known to the English; and the fancy of the poet could convert the glimpses
of oriental things into charming pictures. Long possessed with the purpose
to write an Eastern story in verse, Moore set to work with laudable
industry to read books of travels and history, in order to form a strong
and sensible basis for his poetical superstructure. The work is a
collection of beautiful poems, in a delicate setting of beautiful prose.
The princess Lalla Rookh journeys, with great pomp, to become the bride of
the youthful king of Bokkara, and finds among her attendants a handsome
young poet, who beguiles the journey by singing to her these tales in
verse. The dangers of the process became manifest--the king of Bokkara is
forgotten, and the heart of the unfortunate princess is won by the beauty
and the minstrelsy of the youthful poet. What is her relief and her joy to
find on her arrival the unknown poet seated upon the throne as the king,
who had won her heart as an humble bard!
This beautiful and popular work was published in 1817; and for it Moore
received from his publishers, the Longmans, £3000.
In the same year Moore took a small cottage at Sloperton on the estate of
the Marquis of Lansdowne, which, with some interruptions of travel, and a
short residence in Paris, continued to be his residence during his life.
Improvident in money matters, he was greatly troubled by his affairs in
Bermuda;--the amount for which he became responsible by the defalcation of
his deputy was £6000; which, however, by legal cleverness, was compromised
for a thousand guineas.
HIS DIARY.--It is very fortunate, for a proper understanding of Moore's
life, that we have from this time a diary which is invaluable to the
biographer. In 1820 he went to Paris, where he wasted his time and money
in fashionable dissipation, and produced nothing of enduring value. Here
he sketched an Egyptian story, versified in _Alciphron_, but enlarged in
the prose romance called _The Epicurean_.
On a short tour he visited Venice, where he received, as a gift from Lord
Byron, his autobiographical memoirs, which contained so much that was
compromising to others, that they were never published--at least in that
form. They were withdrawn from the Murrays, in whose hands he had placed
them, upon the death of Byron in 1824, and destroyed. A short visit to
Ireland led to his writing the _Memoirs of Captain Rock_, a work which
attained an unprecedented popularity in Ireland.
In 1825 he published his _Life of Sheridan_, which is rather a friendly
panegyric than a truthful biography.
During three years--from 1827 to 1830--he was engaged upon the _Life of
Byron_, which concealed more truth than it divulged. But in all these
years, his chief dependence for daily bread was upon his songs and glees,
squibs for newspapers and magazines, and review articles.
Public-domain text, read in full here on John Shaqi.
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