However that may be, the stage was deemed unfit for women, and actresses were unknown in England until after the Restoration. SHAKESPEARE'S PREDECESSORS IN THE DRAMA. The English drama as it developed from the Miracle plays has an interesting history. It began with schoolmasters, like Udall, who translated and adapted Latin plays for their boys to act, and who were naturally governed by classic ideals. It was continued by the choir masters of St. Paul and the Royal and the Queen's Chapel, whose companies of choir-boy actors were famous in London and rivaled the players of the regular theaters.[137] These choir masters were our first stage managers. They began with masques and interludes and the dramatic presentation of classic myths modeled after the Italians; but some of them, like Richard Edwards (choir master of the Queen's Chapel in 1561), soon added farces from English country life and dramatized some of Chaucer's stories. Finally, the regular playwrights, Kyd, Nash, Lyly, Peele, Greene, and Marlowe, brought the English drama to the point where Shakespeare began to experiment upon it. Each of these playwrights added or emphasized some essential element in the drama, which appeared later in the work of Shakespeare. Thus John Lyly (1554?-1606), who is now known chiefly as having developed the pernicious literary style called euphuism,[138] is one of the most influential of the early dramatists. His court comedies are remarkable for their witty dialogue and for being our first plays to aim definitely at unity and artistic finish. Thomas Kyd's _Spanish Tragedy_ (_c._ 1585) first gives us the drama, or rather the melodrama, of passion, copied by Marlowe and Shakespeare. This was the most popular of the early Elizabethan plays; it was revised again and again, and Ben Jonson is said to have written one version and to have acted the chief part of Hieronimo.[139] And Robert Greene (1558?-1592) plays the chief part in the early development of romantic comedy, and gives us some excellent scenes of English country life in plays like _Friar Bacon and Friar Bungay_.