There are, in general, two theories to account for Shakespeare. The romantic school of writers have always held that in him "all came from within"; that his genius was his sufficient guide; and that to the overmastering power of his genius alone we owe all his great works. Practical, unimaginative men, on the other hand, assert that in Shakespeare "all came from without," and that we must study his environment rather than his genius, if we are to understand him. He lived in a play-loving age; he studied the crowds, gave them what they wanted, and simply reflected their own thoughts and feelings. In reflecting the English crowd about him he unconsciously reflected all crowds, which are alike in all ages; hence his continued popularity. And in being guided by public sentiment he was not singular, but followed the plain path that every good dramatist has always followed to success. Probably the truth of the matter is to be found somewhere between these two extremes. Of his great genius there can be no question; but there are other things to consider. As we have already noticed, Shakespeare was trained, like his fellow workmen, first as an actor, second as a reviser of old plays, and last as an independent dramatist. He worked with other playwrights and learned their secret. Like them, he studied and followed the public taste, and his work indicates at least three stages, from his first somewhat crude experiments to his finished masterpieces. So it would seem that in Shakespeare we have the result of hard work and of orderly human development, quite as much as of transcendent genius. LIFE (1564-1616). Two outward influences were powerful in developing the genius of Shakespeare,--the little village of Stratford, center of the most beautiful and romantic district in rural England, and the great city of London, the center of the world's political activity. In one he learned to know the natural man in his natural environment; in the other, the social, the artificial man in the most unnatural of surroundings. From the register of the little parish church at Stratford-on-Avon we learn that William Shakespeare was baptized there on the twenty-sixth of April, 1564 (old style). As it was customary to baptize children on the third day after birth, the twenty-third of April (May 3, according to our present calendar) is generally accepted as the poet's birthday.