English Literature: Its History and Its Significance for the Life of the English-Speaking WorldLong, William J. (William Joseph)
History
English Literature: Its History and Its Significance for the Life of the English-Speaking World
Long, William J. (William Joseph)
English literature -- History and criticism
"Is this the region, this the soil, the clime,"
Said then the lost Archangel, "this the seat
That we must change for Heaven?--this mournful gloom
For that celestial light? Be it so, since He
Who now is sovran can dispose and bid
What shall be right: farthest from Him is best,
Whom reason hath equalled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy forever dwells! Hail, horrors! hail,
Infernal World! and thou, profoundest Hell,
Receive thy new possessor--one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; the Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reign secure; and, in my choice,
To reign is worth ambition, though in Hell:
Better to reign in Hell than serve in Heaven."
In this magnificent heroism Milton has unconsciously immortalized the
Puritan spirit, the same unconquerable spirit that set men to writing poems
and allegories when in prison for the faith, and that sent them over the
stormy sea in a cockleshell to found a free commonwealth in the wilds of
America.
For a modern reader the understanding of _Paradise Lost_ presupposes two
things,--a knowledge of the first chapters of the Scriptures, and of the
general principles of Calvinistic theology; but it is a pity to use the
poem, as has so often been done, to teach a literal acceptance of one or
the other. Of the theology of _Paradise Lost_ the least said the better;
but to the splendor of the Puritan dream and the glorious melody of its
expression no words can do justice. Even a slight acquaintance will make
the reader understand why it ranks with the _Divina Commedia_ of Dante, and
why it is generally accepted by critics as the greatest single poem in our
literature.
Public-domain text, read in full here on John Shaqi.
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