SAMUEL BUTLER (1612-1680). In marked contrast with Dryden, who devoted his life to literature and won his success by hard work, is Samuel Butler, who jumped into fame by a single, careless work, which represents not any serious intent or effort, but the pastime of an idle hour. We are to remember that, though the Royalists had triumphed in the Restoration, the Puritan spirit was not dead, nor even sleeping, and that the Puritan held steadfastly to his own principles. Against these principles of justice, truth, and liberty there was no argument, since they expressed the manhood of England; but many of the Puritan practices were open to ridicule, and the Royalists, in revenge for their defeat, began to use ridicule without mercy. During the early years of the Restoration doggerel verses ridiculing Puritanism, and burlesque,--that is, a ridiculous representation of serious subjects, or a serious representation of ridiculous subjects,--were the most popular form of literature with London society. Of all this burlesque and doggerel the most famous is Butler's _Hudibras_, a work to which we can trace many of the prejudices that still prevail against Puritanism. Of Butler himself we know little; he is one of the most obscure figures in our literature. During the days of Cromwell's Protectorate he was in the employ of Sir Samuel Luke, a crabbed and extreme type of Puritan nobleman, and here he collected his material and probably wrote the first part of his burlesque, which, of course, he did not dare to publish until after the Restoration. _Hudibras_ is plainly modeled upon the _Don Quixote_ of Cervantes. It describes the adventures of a fanatical justice of the peace, Sir Hudibras, and of his squire, Ralpho, in their endeavor to put down all innocent pleasures. In Hudibras and Ralpho the two extreme types of the Puritan party, Presbyterians and Independents, are mercilessly ridiculed. When the poem first appeared in public, in 1663, after circulating secretly for years in manuscript, it became at once enormously popular. The king carried a copy in his pocket, and courtiers vied with each other in quoting its most scurrilous passages. A second and a third part, continuing the adventures of Hudibras, were published in 1664 and 1668. At best the work is a wretched doggerel, but it was clever enough and strikingly original; and since it expressed the Royalist spirit towards the Puritans, it speedily found its place in a literature which reflects every phase of human life. A few odd lines are given here to show the character of the work, and to introduce the reader to the best known burlesque in our language: