English Literature: Its History and Its Significance for the Life of the English-Speaking WorldLong, William J. (William Joseph)
History
English Literature: Its History and Its Significance for the Life of the English-Speaking World
Long, William J. (William Joseph)
English literature -- History and criticism
In James Boswell (1740-1795) we have another extraordinary figure,--a
shallow little Scotch barrister, who trots about like a dog at the heels of
his big master, frantic at a caress and groveling at a cuff, and abundantly
contented if only he can be near him and record his oracles. All his life
long Boswell's one ambition seems to have been to shine in the reflected
glory of great men, and his chief task to record their sayings and doings.
When he came to London, at twenty-two years of age, Johnson, then at the
beginning of his great fame, was to this insatiable little glory-seeker
like a Silver Doctor to a hungry trout. He sought an introduction as a man
seeks gold, haunted every place where Johnson declaimed, until in Davies's
bookstore the supreme opportunity came. This is his record of the great
event:
I was much agitated [says Boswell] and recollecting his prejudice against
the Scotch, of which I had heard much, I said to Davies, "Don't tell him
where I come from." "From Scotland," cried Davies roguishly. "Mr. Johnson,"
said I, "I do indeed come from Scotland, but I cannot help it."... "That,
sir" [cried Johnson], "I find is what a very great many of your countrymen
cannot help." This stroke stunned me a good deal; and when we had sat down
I felt myself not a little embarrassed, and apprehensive of what might come
next.
Then for several years, with a persistency that no rebuffs could abate, and
with a thick skin that no amount of ridicule could render sensitive, he
follows Johnson; forces his way into the Literary Club, where he is not
welcome, in order to be near his idol; carries him off on a visit to the
Hebrides; talks with him on every possible occasion; and, when he is not
invited to a feast, waits outside the house or tavern in order to walk home
with his master in the thick fog of the early morning. And the moment the
oracle is out of sight and in bed, Boswell patters home to record in detail
all that he has seen and heard. It is to his minute record that we owe our
only perfect picture of a great man; all his vanity as well as his
greatness, his prejudices, superstitions, and even the details of his
personal appearance:
There is the gigantic body, the huge face seamed with the scars of disease,
the brown coat, the black worsted stockings, the gray wig with the scorched
foretop, the dirty hands, the nails bitten and pared to the quick. We see
the eyes and mouth moving with convulsive twitches; we see the heavy form
rolling; we hear it puffing; and then comes the "Why, sir!" and the "What
then, sir?" and the "No, sir!" and the "You don't see your way through the
question, sir!"[196]
Public-domain text, read in full here on John Shaqi.
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