English Literature: Its History and Its Significance for the Life of the English-Speaking WorldLong, William J. (William Joseph)
History
English Literature: Its History and Its Significance for the Life of the English-Speaking World
Long, William J. (William Joseph)
English literature -- History and criticism
Far from resenting this curious mental dictatorship, his auditors never
seem to weary. They hang upon his words, praise him, flatter him, repeat
his judgments all over London the next day, and return in the evening
hungry for more. Whenever the conversation begins to flag, Boswell is like
a woman with a parrot, or like a man with a dancing bear. He must excite
the creature, make him talk or dance for the edification of the company. He
sidles obsequiously towards his hero and, with utter irrelevancy, propounds
a question of theology, a social theory, a fashion of dress or marriage, a
philosophical conundrum: "Do you think, sir, that natural affections are
born with us?" or, "Sir, if you were shut up in a castle and a newborn babe
with you, what would you do?" Then follow more Johnsonian laws, judgments,
oracles; the insatiable audience clusters around him and applauds; while
Boswell listens, with shining face, and presently goes home to write the
wonder down. It is an astonishing spectacle; one does not know whether to
laugh or grieve over it. But we know the man, and the audience, almost as
well as if we had been there; and that, unconsciously, is the superb art of
this matchless biographer.
When Johnson died the opportunity came for which Boswell had been watching
and waiting some twenty years. He would shine in the world now, not by
reflection, but by his own luminosity. He gathered together his endless
notes and records, and began to write his biography; but he did not hurry.
Several biographies of Johnson appeared, in the four years after his death,
without disturbing Boswell's perfect complacency. After seven years' labor
he gave the world his _Life of Johnson_. It is an immortal work; praise is
superfluous; it must be read to be appreciated. Like the Greek sculptors,
the little slave produced a more enduring work than the great master. The
man who reads it will know Johnson as he knows no other man who dwells
across the border; and he will lack sensitiveness, indeed, if he lay down
the work without a greater love and appreciation of all good literature.
Public-domain text, read in full here on John Shaqi.
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