English Literature: Its History and Its Significance for the Life of the English-Speaking WorldLong, William J. (William Joseph)
History
English Literature: Its History and Its Significance for the Life of the English-Speaking World
Long, William J. (William Joseph)
English literature -- History and criticism
In Cowper we have another interesting poet, who, like Gray and Goldsmith,
shows the struggle between romantic and classic ideals. In his first volume
of poems, Cowper is more hampered by literary fashions than was Goldsmith
in his _Traveller_ and his _Deserted Village_. In his second period,
however, Cowper uses blank verse freely; and his delight in nature and in
homely characters, like the teamster and the mail carrier of _The Task_,
shows that his classicism is being rapidly thawed out by romantic feeling.
In his later work, especially his immortal "John Gilpin," Cowper flings
fashions aside, gives Pegasus the reins, takes to the open road, and so
proves himself a worthy predecessor of Burns, who is the most spontaneous
and the most interesting of all the early romanticists.
LIFE. Cowper's life is a pathetic story of a shy and timid genius, who
found the world of men too rough, and who withdrew to nature like a wounded
animal. He was born at Great Berkhamstead, Hertfordshire, in 1731, the son
of an English clergyman. He was a delicate, sensitive child, whose early
life was saddened by the death of his mother and by his neglect at home. At
six years he was sent away to a boys' school, where he was terrified by
young barbarians who made his life miserable. There was one atrocious bully
into whose face Cowper could never look; he recognized his enemy by his
shoe buckles, and shivered at his approach. The fierce invectives of his
"Tirocinium, or a Review of Schools" (1784), shows how these school
experiences had affected his mind and health. For twelve years he studied
law, but at the approach of a public examination for an office he was so
terrified that he attempted suicide. The experience unsettled his reason,
and the next twelve months were spent in an asylum at St. Alban's. The
death of his father, in 1756, had brought the poet a small patrimony, which
placed him above the necessity of struggling, like Goldsmith, for his daily
bread. Upon his recovery he boarded for years at the house of the Unwins,
cultured people who recognized the genius hidden in this shy and melancholy
yet quaintly humorous man. Mrs. Unwin, in particular, cared for him as a
son; and whatever happiness he experienced in his poor life was the result
of the devotion of this good woman, who is the "Mary" of all his poems.
Public-domain text, read in full here on John Shaqi.
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