English Literature: ModernMair, G. H. (George Herbert)
History
English Literature: Modern
Mair, G. H. (George Herbert)
English literature -- History and criticism
His works are fundamentally not about
politics or history or literature, but about himself. They are the
exposition of a splendid egotism, fiercely enthusiastic about one or two
deeply held convictions; their strength does not lie in their matter of
fact.
This is, perhaps, a condemnation of him in the minds of those people who
ask of a social reformer an actuarially accurate scheme for the
abolition of poverty, or from a prophet a correct forecast of the result
of the next general election. Carlyle has little help for these and no
message save the disconcerting one of their own futility. His message is
at once larger and simpler, for though his form was prose, his soul was
a poet's soul, and what he has to say is a poet's word. In a way, it is
partly Wordsworth's own. The chief end of life, his message is, is the
performance of duty, chiefly the duty of work. "Do thy little stroke of
work; this is Nature's voice, and the sum of all the commandments, to
each man." All true work is religion, all true work is worship; to
labour is to pray. And after work, obedience the best discipline, so he
says in _Past and Present_, for governing, and "our universal duty and
destiny; wherein whoso will not bend must break." Carlyle asked of every
man, action and obedience and to bow to duty; he also required of him
sincerity and veracity, the duty of being a real and not a sham, a
strenuous warfare against cant. The historical facts with which he had
to deal he grouped under these embracing categories, and in the _French
Revolution_, which is as much a treasure-house of his philosophy as a
history, there is hardly a page on which they do not appear.
"Quack-ridden," he says, "in that one word lies all misery whatsoever."
Public-domain text, read in full here on John Shaqi.
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