English Men of Letters: ColeridgeTraill, H. D. (Henry Duff)
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English Men of Letters: Coleridge
Traill, H. D. (Henry Duff)
Coleridge, Samuel Taylor, 1772-1834; Critics -- Great Britain -- Biography; Poets, English -- 19th century -- Biography
The republication of this periodical, or rather selections from it,
which appeared in 1818, is hardly perhaps described with justice in De
Quincey's words as "altogether and absolutely a new work." A reader
can, at any rate, form a pretty fair estimate from it of the style and
probable public attractions of the original issue; and a perusal of it,
considered in its character as a bid for the patronage of the general
reader, is certainly calculated to excite an astonishment too deep for
words. We have, of course, to bear in mind that the standard of the
readable in our grandfathers' days was a more liberal and tolerant one
than it is in our own. In those days of leisurely communications and
slowly moving events there was relatively at least a far larger public
for a weekly issue of moral and philosophical essays, under the name of
a periodical, than it would be found easy to secure at present, when
even a monthly discourse upon things in general requires Mr. Euskin's
brilliancy of eloquence, vivacity of humour, and perpetual charm of
unexpectedness to carry it off. Still the _Spectator_ continued to be
read in Coleridge's day, and people therefore must have had before them
a perpetual example of what it was possible to do in the way of
combining entertainment with instruction. How, then, it could have
entered into the mind of the most sanguine projector to suppose that
the _longueurs_ and the difficulty of the _Friend_ would be patiently
borne with for the sake of the solid nutriment which it contained it is
quite impossible to understand. Even supposing that a weekly, whose
avowed object was "to aid in the formation of fixed principles in
politics, morals, and religion," could possibly be floated, even "with
literary amusements interspersed," it is evident that very much would
depend upon the character of these "amusements" themselves. In the
republication of 1817 they appear under the heading of
"landing-places." One of them consists of a parallel between Voltaire
and Erasmus, and between Rousseau and Luther, founded, of course, on
the respective attitudes of the two pairs of personages to the
Revolution and the Reformation. Another at the end of the series
consists of a criticism of, and panegyric on, Sir Alexander Ball, the
governor of Malta. Such are the landing-places. But how should any
reader, wearied with "for ever climbing up the climbing wave" of
Coleridge's eloquence, have found rest or refreshment on one of these
uncomfortable little sandbanks? It was true that the original issue of
the _Friend_ contained poetical contributions which do not appear in
the republication; but poetry in itself, or, at any rate, good poetry,
is not a relief to the overstrained faculties, and, even if it were,
the relief would have been provided at too infrequent intervals to
affect the general result. The fact is, however, that Coleridge's own
theory of his duty as a public instructor was in itself fatal to any
Public-domain text, read in full here on John Shaqi.
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