Among the miscellaneous manners and customs of the good nuns of Grace Dieu
which are recalled to us in these faded papers of accounts, very few of
course can find place here. One such is the yearly visit of the
candle-maker to prepare the tallow dips for the dark winter evenings. The
preparation made for his coming appears in the purchase of tallow and
mutton fat to be used for rush-lights and cresset-lights, which must have
done hardly more than make visible the darkness of a winter evening and an
early winter morning at Grace Dieu. My lady prioress apparently had an
oil lamp of some kind, and we read of special candles for the wash-place
and at the door of the refectory, etc. It is to be supposed that the nuns
had some means of warming themselves during the cold winter months, for we
read of a travelling tinker employed upon mending a chimney to the hall
fireplace, and probably they were burning logs from out of Charnwood
somewhere or other; but in these accounts there is no mention of fuel
except on one occasion, when Richard the Ironmonger had some coal
purchased for him; but this was only that he might heat a ploughshare that
had got out of shape.
Another most important matter in mediæval times was the annual salting of
the winter provisions which took place in every establishment. On St.
Martin’s Day, November 11th, the mediæval farmer considered seriously what
was the number of his live stock, what was his store of hay, and how long
the one could be kept by the other. The residue of the stock had to go
into the salting-tub for the winter food of the family and dependants. So
at Grace Dieu the purchase of the salt for the great operation is entered
in the accounts. On one occasion also Dame Petronilla, “when a boar was
killed”--whether by accident or not does not appear--had it spiced as well
as salted, and it was no doubt served up on great occasions as a special
delicacy in the common refectory.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account