English Painters, with a Chapter on American PaintersWilmot-Buxton, H. J. (Harry John)
History
English Painters, with a Chapter on American Painters
Wilmot-Buxton, H. J. (Harry John)
Painters -- England; Painters -- United States
JOHN FREDERICK LEWIS (1805--1876), the son of an eminent London
engraver, began his career in art by painting studies of animals, and in
1828 was elected a Member of the Society of Painters in Water-Colours.
He afterwards travelled in Spain and Italy, painting many subjects, such
as a _Spanish Bullfight_, _Monks preaching at Seville_, &c., and thence
went to the East, where he stayed some years. He returned to England in
1851, and four years afterwards was made President of the Water-colour
Society. In 1856 he exhibited _A Frank Encampment in the Desert of Mount
Sinai_, which Mr. Ruskin called "the climax of water-colour drawing." In
the same year he began to paint in oil colours, and frequently exhibited
pictures of Eastern life, such as _The Meeting in the Desert_, _A
Turkish School_, _A Cafe in Cairo_, &c. In 1859 he was made an Associate
of the Royal Academy, and in 1866 a full member. In the South Kensington
Museum there are two of Lewis's water-colour drawings, _The Halt in the
Desert_ and _Peasants of the Black Forest_, and a few of his studies
from nature.
[Illustration: THE ARAB SCRIBE. _By_ JOHN FREDERICK LEWIS. A.D. 1852.]
EDWARD MATTHEW WARD (1816--1879) became a student at the Academy by the
advice of Wilkie, who had seen his first picture, a portrait of Mr. O.
Smith as Don Quixote. In 1836 Ward was a student in Rome. Thence he
proceeded to Munich, and studied fresco-painting with Cornelius. In 1839
he returned to England, and exhibited _Cimabue and Giotto_. Joining in
the competition for the decoration of the Houses of Parliament, he
produced _Boadicea_, which was commended, but did not obtain a premium.
_Dr. Johnson reading the MS. of Goldsmith's "Vicar of Wakefield"_,
first brought him to notice. It was followed by _Dr. Johnson in Lord
Chesterfield's Ante-Room_, and the painter was elected an A.R.A. This
work as well as _The Disgrace of Lord Clarendon_, _The South-Sea
Bubble_, and _James II. receiving the news of the landing of William of
Orange_, are in the National Gallery. In 1852 and later Ward executed
eight historic pictures in the corridor of the House of Commons. He was
elected a Royal Academician in 1855. His pictures are too well known to
need description; most popular among them are _Charlotte Corday led to
Execution_, _The Execution of Montrose_, _The Last Sleep of Argyll_,
_Marie Antoinette parting with the Dauphin_, _The Last Moments of
Charles II._, _The Night of Rizzio's Murder_, _The Earl of Leicester and
Amy Robsart_, _Judge Jeffreys and Richard Baxter_.
Public-domain text, read in full here on John Shaqi.
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