English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
Reaching Pen-y-gwryd a little below the head of the Llanberis Pass, we
pursued a route of a totally different character to Capel Curig. For the
luxuriant beauty of Nant Gwynant we had now the sublimity of bare rock
and crag; but there was something, we must suppose, uncongenial with our
mood in the bleakness of the scene; at any rate, this part of the pass
disappointed us. We have since found that the true grandeur of the
defile is in the other, or western part, between Pen-y-gwryd and
Llanberis. The rest at Capel Curig was specially welcome, and thence
there was no want of interest in the route, on the bank of the romantic
Lugwy. The Swallow waterfall must by all means be visited, repelled as
is the true lover of nature by all those little arrangements that make
the place a show--the urchin who points out the locked gate, for fear
it should be missed, the keen-eyed dame with the keys, the guide to the
torrent s brink, apparently solicitous lest any visitor should discover
for himself the chief points of view, the miscellaneous guard of
children, with a general expectancy of coppers.
[Illustration: 0214]
All this we did not like; and yet nothing could well be finer than the
plunge of the river, with roar and foam, over the vast mass of rocks,
slanting in rugged, picturesque confusion from the summit to the foot
of the fall, and breaking the stream in its descent into numberless
cascades and tiny rapids. The picture is one of marvellous diversity,
and when the river is swollen by rain the rush and roar are tremendous.
Our day's journey was nearly over, and another hours walk, or a little
mure, brought us to that "paradise of painters," the Royal Oak at Bettws
y-Coed. Happily there was room for us, though the inn seemed crowded by
artists--many of them men of world-wide reputation--who come again and
again to this fair valley, always to find something new in form or
colour, light or shade. The next day was spent in rambling about the
neighbourhood; and almost everywhere we found artists at work with easel
and umbrella. Pont-y-pair was to us as an old friend, so often had we
seen its semblance in exhibition-rooms and books of "landscape scenery."
Few subjects, indeed, could be more adapted to the painter.
[Illustration: 0215]
But if this bridge, with its many lovely points of view, struck us with
a sense of familiarity, we were startled, as well as delighted, by the
exceeding beauty of the Fairies' Glen. A tributary stream here comes
down to the Lugwy between high wooded banks, and over mossy rocks, which
at many points can easily be crossed; the course of the rapid crystal
stream for a long distance is almost straight, and the perspective from
below is singularly fine.
Public-domain text, read in full here on John Shaqi.
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