English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
It would now have been easy to visit Bude Haven, and so to travel south
and south-west along the cliffs which fringe the Atlantic, but our
present plan was to strike inland to Dartmoor. The little town of
Oke-hampton was therefore our first destination, reached by a somewhat
dull route,--whichever road may be taken,--but, when gained, most
interesting. The town lies in a valley, watered by a swift romantic
river which, at one point, sweeping round a wooded hill, crowned by the
ruins of an old castle, forms as lovely a picture as anything of the
kind in England. Kingsley abuses Okehampton, unjustly, we think: but,
whatever may be thought of the town and its immediate neighbourhood,
there can be no doubt as to the wonderful interest of the excursions
that may be taken from it as a centre. From the castle hill, as from
other points in the town, the chief object that arrests the eye is the
vast brown sweep of rising ground, suggestive of mysterious desolation
beyond, which we know to be the boundary of Dartmoor. Ascending, we find
ourselves at first on pleasant, breezy, though treeless heights, but
keep to beaten paths, and pursue our onward journey. At length the
moorland track over which we have passed seems to rise behind us and
shut out the world; and as we gaze around, we feel that all pictures
which we had framed to ourselves of wild deserted solitudes are
surpassed. "Like the fragments of an earlier world," is the comparison
that naturally rises to the lips. We are not unfamiliar with moorland
scenery--with Rombald's Moor, for instance, in Yorkshire, beautiful in
its variety of colour, from the tender green and softening greys and
browns of spring, to the purple heathery splendours of the autumn,
while the song of lark and linnet overhead, or the plaintive cry of
the lapwing, gives animation to the scene. But at Dartmoor is a new
experience of desolation. The stupendous mass of granite which here
crops up from hidden depths is covered on its broken surface with thick
peat, in whose depths the blackened trunks of trees occasionally give
evidence of a time when the range was clothed with wood, but which,
for the most part, bears only coarse grass and moss, with heather and
whortleberry in the most favoured localities. Broad spaces are covered
by morass and bog, dangerous to the unaccustomed pedestrian. Scanty
streams break from the heights, and hurry in all directions down to
the valley, swollen to wild fury after a storm. The "tor," or
shapeless masses of rock, which stand out from the peaty surface in
all directions, are but, as it were, the jagged projections from the
interior rock-skeleton. Some may be readily ascended; Yes Tor (probably
East Tor, pronounced Devonshire fashion) being the highest, and on many
accounts the best worth climbing.
[Illustration: 0141]
Public-domain text, read in full here on John Shaqi.
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