English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
Tintagel Castle itself we approached by a path that looked perilous,
but was safe enough, descending from the cliff and rising steeply to a
promontory or peninsula of slaty rock, on which the ruins stand.
These are jagged, time-worn; little plan or order can be traced; such
fragments of building as still exist are no doubt of much more recent
origin than Arthur's time: the outward glory of the scene is all in the
majestic sweep and serried outline of the stupendous cliffs, with the
long roll of the sea breaking ceaselessly into billows at their base.
The stillness is unbroken, save for this ocean music, with the hoarse
cry of sea-birds, and the occasional bleating of the few sheep who
pasture here. The sense of isolation becomes at last oppressive, and we
gladly retrace our steps to the mainland.
Boscastle remains for a time our home: it is a never-ceasing delight
to climb to some nook of the cliffs, east and west, which inclose the
little harbour, or to stroll down to the little pier--a trying walk at
certain seasons, because of a chemical manure manufactory on the way--or
to ramble over the grassy slopes, inhaling the pure breezes of the
Atlantic. The Sunday spent in the neighbourhood was one of peculiar
delight. Wandering inland, we found a church, in the depths of a wood;
the congregation seemed to emerge, we knew not how, from deep bowery
lanes and by-paths among the trees; the service was none the less
impressive for the singing of birds without and the fragrance of
spring blossoms stealing through the open windows. The sermon, too, was
appropriate, a tender, practical exhortation to "delight ourselves in
God." In the evening of the same day, in the hush of twilight, taking
our accustomed path over the cliffs, we came upon a group of people, old
and young, who had evidently come thither after an early evening service
at one of the chapels: they were holding a prayer-meeting in the rocky
nook--singing a hymn as we approached, the burden of which was "Over
there," while wistful eyes gazed across the now purple sea, to the
splendours which lingered in the west after sunset, as though reminded
by those tints of heavenly glory of the land that is very far off. It
was good for the stranger to pause by the way, to join in that touching
strain, and add his Amen to that Sabbath evening prayer.
[Illustration: 9153]
Public-domain text, read in full here on John Shaqi.
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