English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
The themes of Tennyson's earlier poems were drawn from the fens and
meres and melancholy swamps of Lincolnshire. The truth is, that the eye
makes its own pictures, and sees just what it has the power of seeing.
"O Lady! we receive but what we give,
And in our life alone does nature live:
Ours is her wedding-garment, ours her shroud!
And would we aught behold, of higher worth,
Than that inanimate cold world allowed
To the poor, loveless, ever-anxious crowd,
Ah! from the soul itself must issue forth
A light, a glory, a fair luminous cloud
Enveloping the Earth--
And from the soul itself must there be sent
A sweet and potent voice, of its own birth,
Of all sweet sounds the life and element."*
* Coleridge's Sybilline Leaves.
[Illustration: 0176]
It must, however, be confessed that it would be difficult at the present
day to find poetry or beauty in the Fen country. The meres have been
drained, the swamps have been reclaimed. The profusion of aquatic plants
and wild-fowl has disappeared. Whittlesea Mere and Ramsey-Mere have been
brought under the plough. Even the picturesque old windmills have given
place to the hideous chimney-shafts of pumping stations worked by steam.
We may almost parody the famous chapter of Olaus Magnus on "Snakes in
Iceland," and say--there are no fens in the fen country. If we would
know what the fens were once like, we must, read some of Tennyson's
earlier poems, or better still perhaps, one of Kingsley's prose Idylls:
"A certain sadness is pardonable to one who watches the destruction of a
grand natural phenomenon, even though its destruction bring blessings to
the human race. Reason and conscience tell us, that it is right and good
that the Great Fen should have become, instead of a waste and howling
wilderness, a garden of the Lord, where
'All the land in flowery squares,
Beneath a broad and equal-blowing wind,
Smell of the coming summer.'
And yet the fancy may linger, without blame, over the shining meres,
the golden reed-beds, the countless water-fowl, the strange and gaudy
insects, the wild nature, the mystery, the majesty--for mystery and
majesty there were--which haunted the deep fens for many a hundred
years. Little thinks the Scotsman, whirled down by the Great Northern
Railway from Peterborough to Huntingdon, what a grand place, even twenty
years ago, was that Holme and Whittlesea which is now but a black,
unsightly, steaming flat, from which the meres and reed-beds of the old
world are gone, while the corn and roots of the new world have not as
yet taken their place.
[Illustration: 0177]
Public-domain text, read in full here on John Shaqi.
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