English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
instructive; but it appears to be cut out of our substantial, downright
existence, and never to join kindly on to it. We are not the same, but
another, and perhaps more enviable individual, all the time we are out
of our own country. We are lost to ourselves, as well as our friends. So
the poet somewhat quaintly sings,
"Out of my country and myself I go."
Those who wish to forget painful thoughts, do well to absent themselves
for a while from the ties and objects that recall them: but we can be
said only to fulfil our destiny in the place that gave us birth. I
should on this account like well enough to spend the whole of my life in
travelling abroad, if I could any where borrow another life to spend
afterwards at home!
FOOTNOTES:
[Footnote 29: From "Table-Talk," 1821-2.]
[Footnote 30: Sancho Panza, a character in Cervantes' romance, "Don
Quixote."]
[Footnote 31: Aloof, O keep aloof, ye uninitiated!]
[Footnote 32: A titbit.]
THE REGRETS OF A MOUNTAINEER[33]
LESLIE STEPHEN
I have often felt a sympathy, which almost rises to the pathetic, when
looking on at a cricket-match or boat-race. Something of the emotion
with which Gray regarded the "distant spires and antique towers" rises
within me. It is not, indeed, that I feel very deeply for the fine
ingenuous lads who, as somebody says, are about to be degraded into
tricky, selfish Members of Parliament. I have seen too much of them.
They are very fine animals; but they are rather too exclusively animal.
The soul is apt to be in too embryonic a state within these cases of
well-strung bone and muscle. It is impossible for a mere athletic
machine, however finely constructed, to appeal very deeply to one's
finer sentiments. I can scarcely look forward with even an affectation
of sorrow for the time when, if more sophisticated, it will at least
have made a nearer approach to the dignity of an intellectual being. It
is not the boys who make me feel a touch of sadness; their approaching
elevation to the dignity of manhood will raise them on the whole in the
scale of humanity; it is the older spectators whose aspect has in it
something affecting. The shaky old gentleman, who played in the days
when it was decidedly less dangerous to stand up to bowling than to a
cannon-ball, and who now hobbles about on rheumatic joints, by the help
of a stick; the corpulent elder, who rowed when boats had gangways down
their middle, and did not require as delicate a balance as an acrobat's
at the top of a living pyramid--these are the persons whom I cannot see
without an occasional sigh. They are really conscious that they have
lost something which they can never regain; or, if they momentarily
forget it, it is even more forcibly impressed upon the spectators. To
see a respectable old gentleman of sixty, weighing some fifteen stone,
suddenly forget a third of his weight and two-thirds of his years, and
attempt to caper like a boy, is indeed a startling phenomenon. To the
Public-domain text, read in full here on John Shaqi.
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