English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
tinge which has consequently been communicated to narratives of mountain
adventures. There are two ways which have been appropriated to the
description of all sporting exploits. One is to indulge in fine writing
about them, to burst out in sentences which swell to paragraphs, and in
paragraphs which spread over pages; to plunge into ecstasies about
infinite abysses and overpowering splendours, to compare mountains to
archangels lying down in eternal winding-sheets of snow, and to convert
them into allegories about man's highest destinies and aspirations. This
is good when it is well done. Mr. Ruskin has covered the Matterhorn, for
example, with a whole web of poetical associations, in language which,
to a severe taste, is perhaps a trifle too fine, though he has done it
with an eloquence which his bitterest antagonists must freely
acknowledge. Yet most humble writers will feel that if they try to
imitate Mr. Ruskin's eloquence they will pay the penalty of becoming
ridiculous. It is not every one who can with impunity compare Alps to
archangels. Tall talk is luckily an object of suspicion to Englishmen,
and consequently most writers, and especially those who frankly adopt
the sporting view of the mountains, adopt the opposite scheme: they
affect something like cynicism; they mix descriptions of scenery with
allusions to fleas or to bitter beer; they shrink with the prevailing
dread of Englishmen from the danger of overstepping the limits of the
sublime into its proverbial opposite; and they humbly try to amuse us
because they can't strike us with awe. This, too, if I may venture to
say so, is good in its way and place; and it seems rather hard to these
luckless writers when people assume that, because they make jokes on a
mountain, they are necessarily insensible to its awful sublimities. A
sense of humour is not incompatible with imaginative sensibility; and
even Wordsworth might have been an equally powerful prophet of nature if
he could sometimes have descended from his stilts. In short, a man may
worship mountains, and yet have a quiet joke with them when he is
wandering all day in their tremendous solitudes.
Public-domain text, read in full here on John Shaqi.
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