English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
promise to be careful, if it were worth avoiding the misunderstanding of
men who won't take a joke. Meanwhile, I can only state that when Alpine
travellers indulge in a little swagger about their own performances and
other people's incapacity, they don't mean more than an infinitesimal
fraction of what they say, and that they know perfectly well that when
history comes to pronounce a final judgment upon the men of the time, it
won't put mountain-climbing on a level with patriotism, or even with
excellence in the fine arts.
The reproach of real _bonâ fide_ arrogance is, so far as I know, very
little true of Alpine travellers. With the exception of the necessary
fringe hanging on to every set of human beings--consisting of persons
whose heads are weaker than their legs--the mountaineer, so far as my
experience has gone, is generally modest enough. Perhaps he sometimes
flaunts his ice-axes and ropes a little too much before the public eye
at Chamonix, as a yachtsman occasionally flourishes his nautical costume
at Cowes; but the fault may be pardoned by those not inexorable to human
weaknesses. This opinion, I know, cuts at the root of the most popular
theory as to our ruling passion. If we do not climb the Alps to gain
notoriety, for what purpose can we possibly climb them? That same
unlucky trick of joking is taken to indicate that we don't care much
about the scenery; for who, with a really susceptible soul, could be
facetious under the cliffs of Jungfrau or the ghastly precipices of the
Matterhorn? Hence people who kindly excuse us from the blame of
notoriety-hunting generally accept the "greased-pole" theory. We are, it
seems, overgrown schoolboys, who, like other schoolboys, enjoy being in
dirt, and danger, and mischief, and have as much sensibility for natural
beauty as the mountain mules. And against this, as a more serious
complaint, I wish to make my feeble protest, in order that my
lamentations on quitting the profession may not seem unworthy of a
thinking being.
Public-domain text, read in full here on John Shaqi.
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