English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
Something, it is true, of this last effect may be seen from such
mountains as the Rigi or the Faulhorn. There, too, one seems to be at
the centre of a vast sphere, the earth bending up in a cup-like form to
meet the sky, and the blue vault above stretching in an arch majestical
by its enormous extent. There you seem to see a sensible fraction of the
world at your feet. But the effect is far less striking when other
mountains obviously look down upon you; when, as it were, you are
looking at the waves of the great ocean of hills merely from the crest
of one of the waves themselves, and not from some lighthouse that rises
far over their heads; for the Wetterhorn, like the Eiger, Mönch, and
Jungfrau, owes one great beauty to the fact that it is on the edge of
the lower country, and stands between the real giants and the crowd of
inferior, though still enormous, masses in attendance upon them. And, in
the next place, your mind is far better adapted to receive impressions
of sublimity when you are alone, in a silent region, with a black sky
above and giant cliffs all round; with a sense still in your mind, if
not of actual danger, still of danger that would become real with the
slightest relaxation of caution, and with the world divided from you by
hours of snow and rock.
I will go no further, not because I have no more to say, but because
descriptions of scenery soon become wearisome, and because I have, I
hope, said enough to show that the mountaineer may boast of some
intellectual pleasures; that he is not a mere scrambler, but that he
looks for poetical impressions, as well as for such small glory as his
achievements may gain in a very small circle. Something of what he gains
fortunately sticks by him: he does not quite forget the mountain
language; his eye still recognises the space and the height and the
glory of the lofty mountains. And yet there is some pain in wandering
ghostlike among the scenes of his earlier pleasures. For my part, I try
in vain to hug myself in a sense of comfort. I turn over in bed when I
hear the stamping of heavily nailed shoes along the passage of an inn
about 2 A.M. I feel the skin of my nose complacently when I see others
returning with a glistening tight aspect about that unluckily prominent
feature, and know that in a day or two it will be raw and blistered and
burning. I think, in a comfortable inn at night, of the miseries of
those who are trying to sleep in damp hay, or on hard boards of châlets,
at once cold and stuffy and haunted by innumerable fleas. I congratulate
myself on having a whole skin and unfractured bones, and on the small
danger of ever breaking them over an Alpine precipice. But yet I
secretly know that these consolations are feeble. It is little use to
avoid early rising and discomfort, and even fleas, if one also loses the
pleasures to which they were the sauce--rather too _piquante_ a sauce
occasionally, it must be admitted. The philosophy is all very well which
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