English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
Then consider what a blighting effect these multitudinous preparations
and ceremonies have upon the pleasures they profess to subserve. Who, on
calling to mind the occasions of his highest social enjoyments, does not
find them to have been wholly informal, perhaps impromptu? How
delightful a picnic of friends, who forget all observances save those
dictated by good nature! How pleasant the little unpretended gatherings
of book-societies, and the like; or those purely accidental meetings of
a few people well known to each other! Then, indeed, we may see that "a
man sharpeneth the countenance of his friend." Cheeks flush, and eyes
sparkle. The witty grow brilliant, and even the dull are excited into
saying good things. There is an overflow of topics; and the right
thought, and the right words to put it in, spring up unsought. Grave
alternates with gay: now serious converse, and now jokes, anecdotes, and
playful raillery. Everyone's best nature is shown, everyone's best
feelings are in pleasurable activity; and, for the time, life seems well
worth having.
Go now and dress for some half-past eight dinner, or some ten o'clock
"at home;" and present yourself in spotless attire, with every hair
arranged to perfection. How great the difference! The enjoyment seems in
the inverse ratio of the preparation. These figures, got up with such
finish and precision, appear but half alive. They have frozen each other
by their primness; and your faculties feel the numbing effects of the
atmosphere the moment you enter it. All those thoughts, so nimble and so
apt awhile since, have disappeared--have suddenly acquired a
preternatural power of eluding you. If you venture a remark to your
neighbour, there comes a trite rejoinder, and there it ends. No subject
you can hit upon outlives half a dozen sentences. Nothing that is said
excites any real interest in you; and you feel that all you say is
listened to with apathy. By some strange magic, things that usually give
pleasure seem to have lost all charm.
Public-domain text, read in full here on John Shaqi.
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