English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
For if the desire for that homage which wealth brings, is the chief
stimulus to these strivings after wealth, then is the giving of this
homage (when given, as it is, with but little discrimination) the chief
cause of the dishonesties into which these strivings betray mercantile
men. When the shopkeeper, on the strength of a prosperous year and
favourable prospects, has yielded to his wife's persuasions, and
replaced the old furniture with new, at an outlay greater than his
income covers--when, instead of the hoped-for increase, the next year
brings a decrease in his returns--when he finds that his expenses are
out-running his revenue; then does he fall under the strongest
temptation to adopt some newly-introduced adulteration or other
malpractice. When, having by display gained a certain recognition, the
wholesale trader begins to give dinners appropriate only to those of ten
times his income, with expensive other entertainments to match--when,
having for a time carried on this style at a cost greater than he can
afford, he finds that he cannot discontinue it without giving up his
position: then is he most strongly prompted to enter into larger
transactions; to trade beyond his means; to seek undue credit; to get
into that ever-complicating series of misdeeds, which ends in
disgraceful bankruptcy. And if these are the facts--the undeniable
facts--then is it an unavoidable conclusion that the blind admiration
which society gives to mere wealth, and the display of wealth, is the
chief source of these multitudinous immoralities.
Yes, the evil is deeper than appears--draws its nutriment from far below
the surface. This gigantic system of dishonesty, branching out into
every conceivable form of fraud, has roots that run underneath our whole
social fabric, and, sending fibres into every house, suck up strength
from our daily sayings and doings. In every dining-room a rootlet finds
food, when the conversation turns on So-and-so's successful
speculations, his purchase of an estate, his probable worth--on this
man's recent large legacy, and the other's advantageous match; for being
thus talked about is one form of that tacit respect which men struggle
for. Every drawing-room furnishes nourishment, in the admiration awarded
to costliness--to silks that are "rich," that is, expensive; to dresses
that contain an enormous quantity of material, that is, are expensive;
to laces that are handmade, that is, expensive; to diamonds that are
rare, that is, expensive; to china that is old, that is, expensive. And
from scores of small remarks and minutiae of behaviour, which, in all
circles, hourly imply how completely the idea of respectability
involves that of costly externals, there is drawn fresh pabulum.
Public-domain text, read in full here on John Shaqi.
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