English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
more free from coarse dust than in any other part of the world.
If we look at the sky on a perfectly fine summer's day, we shall find
that the blue colour is the most pure and intense overhead, and when
looking high up in a direction opposite to the sun. Near the horizon it
is always less bright, while in the region immediately around the sun it
is more or less yellow. The reason of this is that near the horizon we
look through a very great thickness of the lower atmosphere, which is
full of the larger dust particles reflecting white light, and this
dilutes the pure blue of the higher atmosphere seen beyond. And in the
vicinity of the sun a good deal of the blue light is reflected back into
space by the finer dust, thus giving a yellowish tinge to that which
reaches us reflected chiefly from the coarse dust of the lower
atmosphere. At sunset and sunrise, however, this last effect is greatly
intensified, owing to the great thickness of the strata of air through
which the light reaches us. The enormous amount of this dust is well
shown by the fact that, then only, we can look full at the sun, even
when the whole sky is free from clouds and there is no apparent mist.
But the sun's rays then reach us after having passed, first, through an
enormous thickness of the higher strata of the air, the minute dust of
which reflects most of the blue rays away from us, leaving the
complementary yellow light to pass on. Then, the somewhat coarser dust
reflects the green rays, leaving a more orange coloured light to pass
on; and finally some of the yellow is reflected, leaving almost pure
red. But owing to the constant presence of air currents, arranging both
the dust and vapour in strata of varying extent and density, and of high
or low clouds, which both absorb and reflect the light in varying
degrees, we see produced all those wondrous combinations of tints and
those gorgeous ever-changing colours, which are a constant source of
admiration and delight to all who have the advantage of an uninterrupted
view to the west, and who are accustomed to watch for these not
unfrequent exhibitions of nature's kaleidoscopic colour-painting. With
every change in the altitude of the sun the display changes its
character; and most of all when it has sunk below the horizon, and,
owing to the more favourable angles, a larger quantity of the coloured
light is reflected toward us. Especially is this the case when there is
a certain amount of cloud. The clouds, so long as the sun is above the
horizon, intercept much of the light and colour; but, when the great
luminary has passed away from our direct vision, his light shines more
directly on the under sides of all the clouds and air strata of
different densities; a new and more brilliant light flushes the western
sky, and a display of gorgeous ever-changing tints occurs which are at
once the delight of the beholder and the despair of the artist. And all
this unsurpassable glory we owe to--dust!
Public-domain text, read in full here on John Shaqi.
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