English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
In its widest sweeps my tree-top described an arc of from twenty to
thirty degrees; but I felt sure of its elastic temper, having seen
others of the same species still more severely tried--bent almost to the
ground indeed, in heavy snows--without breaking a fiber. I was therefore
safe, and free to take the wind into my pulses and enjoy the excited
forest from my superb outlook. The view from here must be extremely
beautiful in any weather. Now my eye roved over the piny hills and
dales as over fields of waving grain, and felt the light running in
ripples and broad swelling undulations across the valleys from ridge to
ridge, as the shining foliage was stirred by corresponding waves of air.
Oftentimes these waves of reflected light would break one another in
regular order, they would seem to bend forward in concentric curves, and
disappear on some hillside, like sea waves on a shelving shore. The
quantity of light reflected from the bent needles was so great as to
make whole groves appear as if covered with snow, while the black
shadows beneath the trees greatly enhanced the effect of the silvery
splendor.
Excepting only the shadows, there was nothing somber in all this wild
sea of pines. On the contrary, notwithstanding this was the winter
season, the colors were remarkably beautiful. The shafts of the pine and
libocedrus were brown and purple, and most of the foliage was well
tinged with yellow; the laurel groves, with the pale under sides of
their leaves turned upward, made masses of gray; and then there was many
a dash of chocolate color from clumps of manzanita, and jet of vivid
crimson from the bark of the madroños; while the ground on the
hillsides, appearing here and there through openings between the groves,
displayed masses of pale purple and brown.
The sounds of the storm corresponded gloriously with this wild
exuberance of light and motion. The profound bass of the naked branches
and boles booming like waterfalls; the quick, tense vibrations of the
pine-needles, now rising to a shrill, whistling hiss, now falling to a
silky murmur; the rustling of laurel groves in the dells, and the keen
metallic click of leaf on leaf--all this was heard in easy analysis when
the attention was calmly bent.
The varied gestures of the multitude were seen to find advantage, so
that one could recognize the different species at a distance of several
miles by this means alone, as well as by their forms and colors and the
way they reflected the light. All seemed strong and comfortable, as if
really enjoying the storm, while responding to its most enthusiastic
greetings. We hear much nowadays concerning the universal struggle for
existence, but no struggle in the common meaning of the word was
manifest here; no recognition of danger by any tree; no deprecation; but
rather an invincible gladness, as remote from exultation as from fear.
Public-domain text, read in full here on John Shaqi.
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