English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
the affections are of the nature of a disease--a doctrine which they
justified by the same kind of arguments as those which are now often
employed by metaphysicians to prove that love, anger and the like, can
only be ascribed by a figure of speech to the Deity. Perturbation, they
contended, is necessarily imperfection, and none of its forms can in
consequence be ascribed to a perfect being. We have a clear intuitive
perception that reason is the highest, and should be the directing power
of an intelligent being; but every act which is performed at the
instigation of the emotions is withdrawn from the empire of reason.
Hence it was inferred that while the will should be educated to act
habitually in the direction of virtue, even the emotions that seem most
fitted to second it should be absolutely proscribed. Thus Seneca has
elaborated at length the distinction between clemency and pity, the
first being one of the highest virtues, and the latter a positive vice.
Clemency, he says, is an habitual disposition to gentleness in the
application of punishments. It is that moderation which remits something
of an incurred penalty; it is the opposite of cruelty, which is an
habitual disposition to rigour. Pity, on the other hand, bears to
clemency the same kind of relation as superstition to religion. It is
the weakness of a feeble mind that flinches at the sight of suffering.
Clemency is an act of judgment, but pity disturbs the judgment. Clemency
adjudicates upon the proportion between suffering and guilt. Pity
contemplates only suffering, and gives no thoughts to its cause.
Clemency, in the midst of its noblest efforts, is perfectly passionless;
pity is unreasoning emotion. Clemency is an essential characteristic of
the sage; pity is only suited for weak women and for diseased minds.
"The sage will console those who weep, but without weeping with them;
he will succour the shipwrecked, give hospitality to the proscribed, and
alms to the poor, ... restore the son to the mother's tears, save the
captive from the arena, and even bury the criminal; but in all, his mind
and his countenance will be alike untroubled. He will feel no pity. He
will succour, he will do good, for he is born to assist his fellows, to
labour for the welfare of mankind, and to offer each one his part. His
countenance and his soul will betray no emotion as he looks upon the
withered legs, the tattered rags, the bent and emaciated frame of the
beggar. But he will help those who are worthy, and, like the gods, his
leaning will be towards the wretched.... It is only diseased eyes that
grow moist in beholding tears in other eyes, as it is no true sympathy,
but only weakness of nerves, that leads some to laugh always when others
laugh, or to yawn when others yawn."
Public-domain text, read in full here on John Shaqi.
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