English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
The case is the same still more strikingly where the persons in question
are beyond dispute men of inferior powers and deficient education.
Perhaps they have been much in foreign countries, and they receive, in a
passive, otiose, unfruitful way, the various facts which are forced upon
them there. Seafaring men, for example, range from one end of the earth
to the other; but the multiplicity of external objects, which they have
encountered, forms no symmetrical and consistent picture upon their
imagination; they see the tapestry of human life, as it were on the
wrong side, and it tells no story. They sleep, and they rise up, and
they find themselves, now in Europe, now in Asia; they see visions of
great cities and wild regions; they are in the marts of commerce, or
amid the islands of the South; they gaze on Pompey's Pillar, or on the
Andes; and nothing which meets them carries them forward or backward, to
any idea beyond itself. Nothing has a drift or relation; nothing has a
history or a promise. Every thing stands by itself, and comes and goes
in its turn, like the shifting scenes of a show, which leave the
spectator where he was. Perhaps you are near such a man on a particular
occasion, and expect him to be shocked or perplexed at something which
occurs; but one thing is much the same to him as another, or, if he is
perplexed, it is as not knowing what to say, whether it is right to
admire, or to ridicule or to disapprove, while conscious that some
expression of opinion is expected from him; for in fact he has no
standard of judgment at all, and no landmarks to guide him to a
conclusion. Such is mere acquisition, and, I repeat, no one would dream
of calling it philosophy.
Public-domain text, read in full here on John Shaqi.
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