English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
Instances, such as these, confirm, by the contrast, the conclusion I
have already drawn from those which preceded them. That only is true
enlargement of mind which is the power of viewing many things at once as
one whole, of referring them severally to their true place in the
universal system, of understanding their respective values, and
determining their mutual dependence. Thus is that form of universal
knowledge, of which I have on a former occasion spoken, set up in the
individual intellect, and constitutes its perfection. Possessed of this
real illumination, the mind never views any part of the extended
subject-matter of knowledge without recollecting that it is but a part,
or without the associations which spring from this recollection. It
makes everything in some sort lead to everything else; it would
communicate the image of the whole to every separate portion, till that
whole becomes in imagination like a spirit, everywhere pervading and
penetrating its component parts, and giving them one definite meaning.
Just as our bodily organs, when mentioned, recall their function in the
body, as the word "creation" suggests the Creator, and "subjects" a
sovereign, so, in the mind of the philosopher as we are abstractedly
conceiving of him, the elements of the physical and moral world,
sciences, arts, pursuits, ranks, offices, events, opinions,
individualities, are all viewed as one with correlative functions, and
as gradually by successive combinations converging, one and all, to the
true centre.
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