English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
Have humane letters, then, have poetry and eloquence, the power here
attributed to them of engaging the emotions, and do they exercise it?
And if they have it and exercise it, _how_ do they exercise it, so as to
exert an influence upon man's sense for conduct, his sense for beauty?
Finally, even if they both can and do exert an influence upon the senses
in question, how are they to relate to them the results,--the modern
results,--of natural science? All these questions may be asked. First,
have poetry and eloquence the power of calling out the emotions? The
appeal is to experience. Experience shows that for the vast majority of
men, for mankind in general, they have the power. Next, do they exercise
it? They do. But then, _how_ do they exercise it so as to affect man's
sense for conduct, his sense for beauty? And this is perhaps a case for
applying the Preacher's words: "Though a man labor to seek it out, yet
he shall not find it; yea, further, though a wise man think to know it,
yet shall he not be able to find it."[21] Why should it be one thing, in
its effect upon the emotions, to say, "Patience is a virtue," and quite
another thing, in its effect upon the emotions, to say with Homer,
[Greek: tlaeton gar Moirai thumon thesan anthropoisin--[22]]
"for an enduring heart have the destinies appointed to the children of
men"? Why should it be one thing, in its effect upon the emotions, to
say with philosopher Spinoza, _Felicitas in eo consistit quod homo suum
esse conservare potest_--"Man's happiness consists in his being able to
preserve his own essence," and quite another thing, in its effect upon
the emotions, to say with the Gospel, "What is a man advantaged, if he
gain the whole world, and lose himself, forfeit himself?" How does this
difference of effect arise? I cannot tell, and I am not much concerned
to know; the important thing is that it does arise, and that we can
profit by it. But how, finally, are poetry and eloquence to exercise the
power of relating the modern results of natural science to man's
instinct for conduct, his instinct for beauty? And here again I answer
that I do not know _how_ they will exercise it, but that they can and
will exercise it I am sure. I do not mean that modern philosophical
poets and modern philosophical moralists are to come and relate for us,
in express terms, the results of modern scientific research to our
instinct for conduct, our instinct for beauty. But I mean that we shall
find, as a matter of experience, if we know the best that has been
thought and uttered in the world, we shall find that the art and poetry
and eloquence of men who lived, perhaps, long ago, who had the most
limited natural knowledge, who had the most erroneous conceptions about
many important matters, we shall find that this art, and poetry, and
eloquence, have in fact not only the power of refreshing and delighting
us, they have also the power,--such is the strength and worth, in
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