English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
For what can a book be more than the man who wrote it? The brightest
genius seldom puts the best of his own soul into his printed page; and
some famous men have certainly put the worst of theirs. Yet are all men
desirable companions, much less teachers, able to give us advice, even
of those who get reputation and command a hearing? To put out of the
question that writing which is positively bad, are we not, amidst the
multiplicity of books and of writers, in continual danger of being drawn
off by what is stimulating rather than solid, by curiosity after
something accidentally notorious, by what has no intelligible thing to
recommend it, except that it is new? Now, to stuff our minds with what
is simply trivial, simply curious, or that which at best has but a low
nutritive power, this is to close our minds to what is solid and
enlarging, and spiritually sustaining. Whether our neglect of the great
books comes from our not reading at all, or from an incorrigible habit
of reading the little books, it ends in just the same thing. And that
thing is ignorance of all the greater literature of the world. To
neglect all the abiding parts of knowledge for the sake of the
evanescent parts is really to know nothing worth knowing. It is in the
end the same, whether we do not use our minds for serious study at all,
or whether we exhaust them by an impotent voracity for desultory
"information"--a thing as fruitful as whistling. Of the two evils I
prefer the former. At least, in that case, the mind is healthy and open.
It is not gorged and enfeebled by excess in that which cannot nourish,
much less enlarge and beautify our nature.
Public-domain text, read in full here on John Shaqi.
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