English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
It is most right that in the great republic of letters there should be
freedom of intercourse and a spirit of equality. Every reader who holds
a book in his hand is free of the inmost minds of men past and present;
their lives both within and without the pale of their uttered thoughts
are unveiled to him; he needs no introduction to the greatest; he
stands on no ceremony with them; he may, if he be so minded, scribble
"doggrel" on his Shelley, or he may kick Lord Byron, if he please, into
a corner. He hears Burke perorate, and Johnson dogmatise, and Scott tell
his border tales, and Wordsworth muse on the hillside, without the leave
of any man, or the payment of any toll. In the republic of letters there
are no privileged orders or places reserved. Every man who has written a
book, even the diligent Mr. Whitaker, is in one sense an author; "a
book's a book although there's nothing in't;" and every man who can
decipher a penny journal is in one sense a reader. And your "general
reader," like the grave-digger in Hamlet, is hail-fellow with all the
mighty dead; he pats the skull of the jester; batters the cheek of lord,
lady, or courtier; and uses "imperious Caesar" to teach boys the Latin
declensions.
But this noble equality of all writers--of all writers and of all
readers--has a perilous side to it. It is apt to make us indiscriminate
in the books we read, and somewhat contemptuous of the mighty men of the
past. Men who are most observant as to the friends they make, or the
conversation they share, are carelessness itself as to the books to whom
they entrust themselves, and the printed language with which they
saturate their minds. Yet can any friendship or society be more
important to us than that of the books which form so large a part of our
minds and even of our characters? Do we in real life take any pleasant
fellow to our homes and chat with some agreeable rascal by our
firesides, we who will take up any pleasant fellow's printed memoirs, we
who delight in the agreeable rascal when he is cut up into pages and
bound in calf?
If any person given to reading were honestly to keep a register of all
the printed stuff that he or she consumes in a year--all the idle tales
of which the very names and the story are forgotten in a week, the
bookmaker's prattle about nothing at so much a sheet, the fugitive
trifling about silly things and empty people, the memoirs of the
unmemorable, and lives of those who never really lived at all--of what
a mountain of rubbish would it be the catalogue: Exercises for the eye
and the memory, as mechanical as if we set ourselves to learn the names,
ages, and family histories of every one who lives in our own street, the
flirtations of their maiden aunts, and the circumstances surrounding the
birth of their grandmother's first baby.
Public-domain text, read in full here on John Shaqi.
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