English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
I am not presumptuous enough to assert that the larger part of modern
literature is not worth reading in itself, that the prose is not
readable, entertaining, one may say highly instructive. Nor do I pretend
that the verses which we read so zealously in place of Milton's are not
good verses. On the contrary, I think them sweetly conceived, as musical
and as graceful as the verse of any age in our history. A great deal of
our modern literature is such that it is exceedingly difficult to
resist it, and it is undeniable that it gives us real information. It
seems perhaps unreasonable to many to assert that a decent readable book
which gives us actual instruction can be otherwise than a useful
companion and a solid gain. Possibly many people are ready to cry out
upon me as an obscurantist for venturing to doubt a genial confidence in
all literature simply as such. But the question, which weighs upon me
with such really crushing urgency is this: What are the books that in
our little remnant of reading time it is most vital for us to know? For
the true use of books is of such sacred value to us that to be simply
entertained is to cease to be taught, elevated, inspired by books;
merely to gather information of a chance kind is to close the mind to
knowledge of the urgent kind.
Every book that we take up without a purpose is an opportunity lost of
taking up a book with a purpose--every bit of stray information which we
cram into our heads without any sense of its importance, is for the most
part a bit of the most useful information driven out of our heads and
choked off from our minds. It is so certain that information, i.e., the
knowledge, the stored thoughts and observations of mankind, is now grown
to proportions so utterly incalculable and prodigious, that even the
learned whose lives are given to study can but pick up some crumbs that
fall from the table of truth. They delve and tend but a plot in that
vast and teeming kingdom, whilst those whom active life leaves with but
a few cramped hours of study can hardly come to know the very vastness
of the field before them, or how infinitesimally small is the corner
they can traverse at the best. We know all is not of equal value. We
know that books differ in value as much as diamonds differ from the sand
on the seashore, as much as our living friend differs from a dead rat.
We know that much in the myriad-peopled world of books--very much in all
kinds--is trivial, enervating, inane, even noxious. And thus, where we
have infinite opportunities of wasting our efforts to no end, of
fatiguing our minds without enriching them, of clogging the spirit
without satisfying it, there, I cannot but think, the very infinity of
opportunities is robbing us of the actual power of using them. And thus
I come often, in my less hopeful moods, to watch the remorseless
cataract of daily literature which thunders over the remnants of the
past, as if it were a fresh impediment to the men of our day in the way
Public-domain text, read in full here on John Shaqi.
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