English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
I cannot see the wit of walking and talking at the same time. When I am
in the country, I wish to vegetate like the country. I am not for
criticising hedge-rows and black cattle. I go out of town in order to
forget the town and all that is in it. There are those who for this
purpose go to watering-places, and carry the metropolis with them. I
like more elbow-room, and fewer encumbrances. I like solitude, when I
give myself up to it, for the sake of solitude; nor do I ask for
------"a friend in my retreat,
Whom I may whisper solitude is sweet."
The soul of a journey is liberty, perfect liberty, to think, feel, do
just as one pleases. We go a journey chiefly to be free of all
impediments and of all inconveniences; to leave ourselves behind, much
more to get rid of others. It is because I want a little breathing-space
to muse on indifferent matters, where Contemplation
"May plume her feathers and let grow her wings,
That in the various bustle of resort
Were all too ruffled, and sometimes impair'd,"
that I absent myself from the town for a while, without feeling at a
loss the moment I am left by myself. Instead of a friend in a postchaise
or in a Tilbury, to exchange good things with, and vary the same stale
topics over again, for once let me have a truce with impertinence. Give
me the clear blue sky over my head, and the green turf beneath my feet,
a winding road before me, and a three hours' march to dinner--and then
to thinking! It is hard if I cannot start some game on these lone
heaths. I laugh, I run, I leap, I sing for joy. From the point of yonder
rolling cloud, I plunge into my past being, and revel there, as the
sunburnt Indian plunges headlong into the wave that wafts him to his
native shore. Then long-forgotten things, like "sunken wrack and sumless
treasuries," burst upon my eager sight, and I begin to feel, think, and
be myself again. Instead of an awkward silence, broken by attempts at
wit or dull commonplaces, mine is that undisturbed silence of the heart
which alone is perfect eloquence. No one likes puns, alliterations,
antitheses, arguments, and analysis better than I do; but I sometimes
had rather be without them. "Leave, oh, leave me to my repose!" I have
just now other business in hand, which would seem idle to you, but is
with me "very stuff of the conscience." Is not this wild rose sweet
without a comment? Does not this daisy leap to my heart set in its coat
of emerald. Yet if I were to explain to you the circumstance that has so
endeared it to me, you would only smile. Had I not better then keep it
to myself, and let it serve me to brood over, from here to yonder craggy
point, and from thence onward to the far-distant horizon? I should be
but bad company all that way, and therefore prefer being alone. I have
heard it said that you may, when the moody fit comes on, walk or ride on
by yourself, and indulge your reveries. But this looks like a breach of
Public-domain text, read in full here on John Shaqi.
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