English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
In general, a good thing spoils out-of-door prospects: it should be
reserved for Table-talk. L---- is for this reason, I take it, the worst
company in the world out of doors; because he is the best within. I
grant, there is one subject on which it is pleasant to talk on a
journey; and that is, what one shall have for supper when we get to our
inn at night. The open air improves this sort of conversation or
friendly altercation, by setting a keener edge on appetite. Every mile
of the road heightens the flavour of the viands we expect at the end of
it. How fine it is to enter some old town, walled and turreted, just at
the approach of nightfall, or to come to some straggling village, with
the lights streaming through the surrounding gloom; and then after
inquiring for the best entertainment that the place affords, to "take
one's ease at one's inn!" These eventful moments in our lives' history
are too precious, too full of solid, heartfelt happiness to be frittered
and dribbled away in imperfect sympathy. I would have them all to
myself, and drain them to the last drop: they will do to talk of or to
write about afterwards. What a delicate speculation it is, after
drinking whole goblets of tea,
"The cups that cheer, but not inebriate,"
and letting the fumes ascend into the brain, to sit considering what we
shall have for supper--eggs and a rasher, a rabbit smothered in onions,
or an excellent veal-cutlet! Sancho[30] in such a situation once fixed
upon cow-heel; and his choice, though he could not help it, is not to be
disparaged. Then in the intervals of pictured scenery and Shandean
contemplation, to catch the preparation and the stir in the
kitchen--_Procul, O procul este profani!_[31] These hours are sacred to
silence and to musing, to be treasured up in the memory, and to feed the
source of smiling thoughts hereafter. I would not waste them in idle
talk; or if I must have the integrity of fancy broken in upon, I would
rather it were by a stranger than a friend. A stranger takes his hue and
character from the time and place; he is a part of the furniture and
costume of an inn. If he is a Quaker, or from the West Riding of
Yorkshire, so much the better. I do not even try to sympathise with him,
and he breaks no squares. I associate nothing with my travelling
companion but present objects and passing events. In his ignorance of me
and my affairs, I in a manner forget myself. But a friend reminds one of
other things, rips up old grievances, and destroys the abstraction of
the scene. He comes in ungraciously between us and our imaginary
character. Something is dropped in the course of conversation that gives
a hint of your profession and pursuits; or from having some one with you
that knows the less sublime portions of your history, it seems that
other people do. You are no longer a citizen of the world: but your
"unhoused free condition is put into circumscription and confine." The
Public-domain text, read in full here on John Shaqi.
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